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Portia Lawrie

DIY, how to, overlocker, overlockers, serger, Sewing, Tutorials, Uncategorized

Overlocker tips: Burying thread tails

11/07/16

I have a few overlocker related posts in the works. Burbling away in the background. One in particular is quite exciting to the geek in me. And if you follow me on Instagram you may already know what that one will be about 😉

I’ve noticed a few “new overlockers” popping up on my feeds courtesy of another Lidl/Aldi deal. And because I have a few knit projects going on I thought it would be perfect timing to take a few pics as I go of the various little techniques involved in using an overlocker, for those of you who are new to this magnificent piece of kit. Be sure to check out these posts too if you’re a little nervous of your “beast”, and you’ll have it tamed in no time. But trust me, (because I’ve been there) it is very much worth your time, getting to know your machine properly at the start. You’ll feel so much more at ease when you come to sew a garment that you care about getting right, with fabric you care about not wasting, if you take a little time before hand to get to know, and have a play with your machine on scraps/samples first. And these posts (covering anatomy, threading, and tension settings) should give you a good jumping off point.  Just click on the image to view each post….

Anatomy of a serger/overlocker How to thread your serger/overlocker Establish the correct tension settings for your serger/overlocker

But in the meantime I thought I’d share a finishing tip for thread tails. Just as with sewing a standard seam, you’ll have thread tails to secure and finish. Firstly, there is no backstitch option on an overlocker obvs. So I always knot to secure, close to the stitching…burying-overlocker-threads-1

 

 

Thread the tail onto a yarn needle…burying-overlocker-threads-1burying-overlocker-threads-1

 

 

Pass the needle through the looper threads for about 2 inches…burying-overlocker-threads-1burying-overlocker-threads-1

 

Then pull the complete tail all the way through…burying-overlocker-threads-1burying-overlocker-threads-1

….and snip the excess close to the stitching.

how to bury overlocker thread

That’s it. Thread tails neatly buried 🙂 For an even neater finish you can pass the tail/needle under the threads right on the edge of the fabric (where the upper and lower looper threads meet & wrap round eachother) & inbetween the two layers of fabric of the overlocked edge. So they are sandwiched and invisible. I do that when I’m feeling particularly conscientious 😉  This piece is a neckband. If I’d buried the tails on the reverse of this, then it would be invisible on the finished garment once the seam is pressed to the inside and topstitched down. Depends on how neat you want to be of course. If you’re anything like me that’s often mood related, lol! Whatever you do though, this has got to be better than a dangly tail!

 

DIY, how to, refashioning, Sewing, the refashioners, The Refashioners 2016, Uncategorized

The Refashioners 2016 – Me (no pressure!)

08/30/16

THE REFASHIONERS 2016 - ME (7)**UPDATE: This coat has been shortlisted as a finalist in the “Dressmaker of the Year” competition for Make it Today: Dressmaker magazine in both the refashioning and readers choice categories. If you’d like to vote for me you can do so here! You have until 25th April 2017.   OK, back to the post…….**

I think sometimes, because I run this challenge, there is a misconception that I am some kind of  refashioning queen. I certainly don’t regard myself in this way. I prefer to think of myself as a refashioning cheerleader.  Much less pressure! The Refashioners challenge has always been about inspiring other people. To showcase  what  they can do with refashioning, rather than showcasing my own skills. It may come as a surprise to some when I say, that I have never refashioned jeans in this way before. The extent of my jeans refashioning is mainly centered around re-fitting and reshaping existing jeans. I’ve never completely deconstructed jeans and turned them into something else. Never. So in selecting this year’s theme I was pushing myself as far out of my own comfort zone as anyone else! Of course, I was characteristically laid back about that. It’ll be fine, I thought! Won’t take long, I thought! Ha!  This project was characterised  by challenges, delays, changes of direction, obstacles and frustrations. But I got there!

I’d originally shelved this idea as “too ambitious” and decided on another idea, that would have been relatively quick and easy. (That’s MY comfort zone people!). As the projects from the other bloggers popped into my inbox it became apparent that great minds think alike. And my intended project was going to be similar to a few others. I wanted the series to offer as much variety of ideas as was humanly possible so I did an about turn about a fortnight ago and came right back to this idea…..The Refashioners 2106 - MeThe Refashioners 2106 - Me

Quilted denim! Because of course, when it’s hotter than it’s been all year, sizzling temperatures are the perfect time to work on a big thick quilted coat. Naturally!  I knew I wanted a thigh length coat. I figured I could get enough fabric from 2 pairs of jeans (wrong!) for the shell and I had lining etc in my stash. I also knew I would have to piece the shell together from smaller component parts. The green jacket above gave me a massive eureka moment there. I fell in love with that diagonal yoke and the directional use of quilting lines and my idea was born….

The Refashioners 2106 - Me

I don’t think I was the only one to snap up the Tamarack Jacket by Grainline as soon as it was released! This was the perfect opportunity to crack it out.  I lengthened the front and back sections by 6″ and shortened the sleeves by 2″. Cut it out and sew it up, I thought. Hmmm….maybe I’ll toile to test the size & fit first before I cut into my scarce denim. Then ensues 3 days (I kid you not) of faffing and fitting around the sleeve/shoulder area. The drop shoulder of the pattern was not working for me at all. Twisting and drag lines that I was worried would translate weirdly to the thick quilted denim I had planned. (I have narrow forward shoulders) I tried in vain to fix it. I could probably have just gone with it. With hindsight. But my inner obsessive came out at this point (and stayed with me for the rest of this make) and I couldn’t let it lie. So I lopped the top off the pattern and spliced in a set in sleeve configuration. Which I then proceeded to fit within an inch of it’s life and after about 4 days of faff,  I had my base pattern…..

The Refashioners 2106 - Me

Turns out that switching to a set in sleeve was a good move. Not just for fit, but because the pattern piece is MUCH narrower that that of a drop sleeve. Handy when they need to be cut from narrow jeans legs….just saying 😉

I sat for a while staring at my pattern on the morning that I started this part. Swiping through my pinterest images. Basically procrastinating and being indecisive. I was still thinking about lines, directions, how to break up the pattern pieces. So I threw down a quick and very crude sketch to try and get things moving thinking I would end up doing a few sketches. But this one was enough….The Refashioners 2106 - Me

 

It cleared the “log jam” in my brain and from then on I knew what I was working towards. So I began to transfer the style lines from my pencil sketch, onto the pattern itself…

The Refashioners 2106 - Me

From then I traced each piece of individually…

The Refashioners 2106 - MeThe Refashioners 2106 - Me

Added seam allowances, marked the grainline, and named my pattern pieces (that one made me snigger!)…

The Refashioners 2106 - Me

 

The Refashioners 2106 - Me

I ended up using 2 pairs of jeans (I actually needed 3 which I’ll come to in a minute) This pair was languishing on the £1 rail of the charity shop. Lot’s of panels, pockets, worn and wrinkled areas. They were very wide (44″ waist) but very short. And because of the construction or complex darts and pannelling “flat” fabric was sparse on this one. But I really liked the denim and thought the pocket shadows on this pair would be awesome…so they went home with me…The Refashioners 2106 - MeThe Refashioners 2106 - MeThe Refashioners 2106 - Me

The second pair (above) was a pair of size 10 fitted jeans donated to me by a friend when they no longer fit. Normally size 10 fitted jeans would not be “up there” when it comes to amount of useable fabric. However….

…these were huge bell bottom jeans! Ha! They provided the perfect amount of fabric from which to cut all four pieces for the bottom of my coat..The Refashioners 2106 - MeThe Refashioners 2106 - Me

Cut on the cross grain…the longer back pieces were cut from the widest part of the leg at the bottom (so the outer leg seam now runs horizontally across my pattern piece) and the shorter front piece cut from the middle part of the leg….also on the cross grain.

The Refashioners 2106 - Me

One problem you may encounter with more fitted/flared/shaped jeans is the fabric not laying flat once you’ve cut up the inseam. This is due to the shaping built into the curved side seam.

On the reverse, look what happens to the fabric either side of the seam line when you pinch it together….The Refashioners 2106 - MeThe Refashioners 2106 - Me

Essentially you can add some shaping of your own at that side seam to counteract the original shaping to get the fabric to lay flat 😉

Middle sections of the coat were cut from the upper legs of the £1 jeans.  I took my time to line up the details on the fabric (pocket shadows etc) so that they would be symmetrical on the finished coat…The Refashioners 2106 - Me

When deconstructed…because of all the panels on these nutty jeans…Apart from the torso area, the pieces I was left with after this were actually quite narrow! Which was a pain in the arse because I had planned on cutting my yokes and sleeves from that pair of jeans too. There was no way THAT was happening…

I still had the bum part of the bell bottoms left so I played around for a while seeing if I could squeeze them out of that. I could….but it wasn’t ideal. It would be wonky off grain (like, not even cross grain!) and I would have original seams intersect at the armhole where I was already worried about bulk. Plus I had these sections earmarked to cut pockets and binding from…The Refashioners 2106 - Me

My project had stalled. It became apparent that I would need a 3rd pair of jeans to have enough fabric for the yoke and sleeves to match. (Another design element that I had become obsessed with). Problem was I didn’t have another pair of jeans and a scour of the local charity shops, twice,  proved fruitless. I couldn’t find a pair of jeans in the right weight of denim. (Because of the quilting I had planned I needed lightweight denim; which the other two pairs were). In the end I had to use a denim remnant from my stash if I had any hope of getting this finished in time. I couldn’t afford to wait for the right pair of jeans….so on this occasion I conceded defeat and the yokes and sleeves are cut from stash fabric. I was gutted by this BUT it is TOTALLY possible to get those pieces (and the sleeves) out of a pair of jeans if you have them as evidenced by the measurements shown below…The Refashioners 2106 - MeThe Refashioners 2106 - Me

I do feel a little like I “let the side down” here. I overestimated the fabric I would have from my £1 pair of jeans and got caught out because of all the panelling etc. But I had to move on and finish this thing….if I could have waited and found that third pair of jeans I would have done. But at this stage, and this close to deadline….I had to compromise.

Moving on…I used what I had left to cut bias strips for the edge binding…The Refashioners 2106 - MeThe Refashioners 2106 - Me

I cut strips in the 3 different colours of denim I used so each section of the coat opening and hem would be bound in it’s corresponding denim…

This is all I was left with from the bell bottoms. The front torso area….which I used to cut the pockets for the coat…The Refashioners 2106 - Me

 

Before I could begin construction there were some holes and rips in some of the pieces I had cut…some from a slipped seam ripper…The Refashioners 2106 - MeThe Refashioners 2106 - MeThe Refashioners 2106 - Me

….and some from where I had removed the rivets during deconstruction…

A pretty simple fix from the underside …The Refashioners 2106 - MeThe Refashioners 2106 - Me

I just applied patches of interfacing to protect against future tearing etc…

The Refashioners 2106 - Me

With all my pieces now cut I began assembling my shell. My first attempt at joining the yoke to the middle was a fudge…The Refashioners 2106 - MeThe Refashioners 2106 - Me

I’d just gone onto auto pilot and aligned raw edges and stitched. When I turned it out it was, of course, off!!

So as a reminder for anyone else who may want to attempt this, the pieces need to be joined so the seamlines match. NOT the raw edges…so the whole thing is sewn slightly offset. By an amount equal to your seam allowance…The Refashioners 2106 - MeThe Refashioners 2106 - Me

And then everything lines up perfectly!

Front sections were joined top middle and bottom. Back section is the same and then joined together with a CB seam…The Refashioners 2106 - MeThe Refashioners 2106 - Me

I get really obsessed with getting intersecting seams to line up. I pinned at these points first and foremost. With the pin going directly through the seamlines on both layers to ensure the are lined up…The Refashioners 2106 - MeThe Refashioners 2106 - Me

This gives me accurate alignment where several seams intersect like at the point of this back yoke (and makes me feel “like a boss!”)

The Refashioners 2106 - Me

The lining I used had also come from a charity shop several months ago. It had the softest flannel underside and the shiniest satin RS. It had obviously been exposed to light whilst folded because there was fading along all the fold lines. It had turned a peachy colour in those areas which I actually really liked. So I decided to make a subtle feature out of it  and found a variegated peach/thread with shades of pale khaki and cream in it to use for the quilting lines on this side of the fabric…(That streak of faded peach is placed centrally on the back piece of the finished coat lining. Only I can see it. That’s how obsessed I got with detail and symmetry on this make!!)The Refashioners 2106 - Me

I did a few practice swatches and loved that effect in particular…

The quilting part itself presented a couple of challenges. Not least because the sturdy nature of denim kind of fights the batting..and instead of the batting pushing the denim up…the denim is inclined to flatten the batting…which diminishes the look of the quilting…The Refashioners 2106 - MeThe Refashioners 2106 - Me

 

In the end I found I had to use a pretty thick (cotton) batting in order to get the “loft” I needed to make the quilting visible. This had a knock on effect with the overall sturdiness of the finished garment. This was going to be one seriously thick and sturdy coat!!

I made a quilt sandwich for each piece and was ready to get started quilting. This is the extent of my quilting experience to date. I am NO expert, lol!The Refashioners 2106 - Me

I began by hand basting length wise and width wise. I did NOT want this shifting or distorting. Construction of this thick wadge of quilt sandwich was going to be tricky enough without that. So baste people. Definitely baste. This wadding was self adhesive but denim didn’t stick as effectively to it as quilting cotton. So it was definitely worth the added “security” not to skip this step!

I first quilted the diagonal yoke seam and the horizontal hip seam….then laid down my vertical quilting lines between those two points….using my variegated thread on my bobbin…The Refashioners 2106 - MeThe Refashioners 2106 - Me

And dark thread on the top…

I used 1″ masking tape as a quilting guide to keep my lines straight and evenly spaced. Starting in the middle and working outwards. I started and finished my lines of stitching just a fraction inside those diagonal yoke and horizontal hip stitching lines and left loooong tails of thread….The Refashioners 2106 - MeThe Refashioners 2106 - Me

Which I then secured by hand and buried within the quilting channels. I was determined to achieve a clean finish on the inside and have all the quilting lines meet and line up perfectly on the lining where any mistakes would be really obvious. I counted, 172 thread tails secured and buried by hand to achieve that finish…The Refashioners 2106 - Me

But it was well worth it. That back piece in particular, the quilting lines on that lining, remain one of my favourite elements of this coat, to the point where I almost want to wear it inside out, lol!The Refashioners 2106 - Me

I repeated this process on all 5 pattern pieces, edge stitch all around the edges of my pattern pieces and cut away the excess batting/lining and I was ready to finally construct this thing!

The Refashioners 2106 - Me

I won’t go step by step into the actual construction because that is all in the pattern instructions for the Tamarack jacket. But I will share with you the parts that go “off pattern”. Including a solution I found for the bulk element of this make…the pattern is designed for lighter weight fabrics so the seams wouldn’t be as thick as this!

As you can see on this shoulder seam…pressing these seams flat was gonna be a challenge. Super thick!The Refashioners 2106 - MeThe Refashioners 2106 - Me

I peeled back the lining and trimmed the batting right up to the seam line…

Ta dah! Bulk reduced…The Refashioners 2106 - MeThe Refashioners 2106 - Me

…and seam presses flat!

I repeated that process on shoulder seams and side seams and I was ready to insert my sleeves which had me all kinds of scared. Because…The Refashioners 2106 - Me

Well….these suckers are so thick they stand up on their own, ha ha!! This picture kills me every time I look at it. This was becoming more like an engineering project than dressmaking. At this stage I was working right at the limits of what my little Janome could cope with…every line of stitching, every bit of binding…everything added just a liiiiitle bit more bulk. I swear my little Janome whimpered when I approached her with these…The Refashioners 2106 - MeThe Refashioners 2106 - Me

Basting the sleeve in place was a must. Luckily I had removed a great deal of ease from the sleeve cap so easing the sleeve head in was relatively trouble free.

And ta dah!  They were in! I basically had my coat!The Refashioners 2106 - MeThe Refashioners 2106 - Me

 

Of course a coat needs pockets. What I really wanted was a nice clean welt or inseam pocket that wouldn’t visually disrupt the quiltiing lines of the bottom section. But I had to compromise here. The fabric was just too thick for the turning required for that kind of pocket. So patch it would have to be.

I played with a couple of ideas. The one below was what I wanted. The angled pocket opening echoes the same angle as the yoke, and the curved corner echoes the curve of the hem…(see….told you I was getting obsessed with symmetry)The Refashioners 2106 - MeThe Refashioners 2106 - Me

Buuuut I didn’t have enough fabric left for that (of course not. That would be too helpful, lol!) so I squeezed what I could out of the leftovers of the bell bottom jeans. My plan was to quilt them so that the quilt lines matched the ones on the coat itself. Blending the pockets visually with the coat. But I was worried about adding more bulk and used only a thin layer of batting on the pockets so it didn’t work out. The pockets are actually the only part of this coat that niggle me a little. But you gotta have pockets on a winter coat, right?

Last, but definitely not least is the 28″ chunky gold zip that finishes this make off. Basted then rebasted in place to ensure that when it’s zipped up, all those points at the yoke and hip line up perfectly…The Refashioners 2106 - MeThe Refashioners 2106 - Me

All the binding is single fold, in an effort to reduce bulk, and edge stitched in place. So there’s a very slight raw edge finish to all the binding. Which actually I really like. I like all the contrasts of this make. The utility/worn feel of the denim, with the luxury feel of the lining and gold zip, and the precision of the quilting against the rawness of the denim edges. It’s a coat of contrasts. Of juxtaposition if you like. It’s a coat of many elements. It’s a coat of blood, sweat (literally) and stress.  It’s definitely one of a kind. And I absolutely love it and couldn’t be prouder. Even though it was a bitch to me at times I wholeheartedly forgive it. All I can say is…it better be a bloody cold winter this year after all this! 😉The Refashioners 2106 - Me

THE REFASHIONERS 2016 - ME (7)

THE REFASHIONERS 2016 - ME (7)THE REFASHIONERS 2016 - ME (7)THE REFASHIONERS 2016 - ME (7)

Turns out, this project, was the hardest, most stressful, and longest I have ever undertaken (largely because I am my own worst enemy and became somewhat obsessed and uncompromising). But it was also the most satisfying because, despite (or maybe because) of the challenges and the blood, sweat and near tears that went into this, (I didn’t quite cry, but “head in hands with bewildered look” became a firm favourite during this make.)  I persevered.  And eventually, I won.  And I’ve ended up with a garment  that I am SO proud of.  That I look at and think, I can’t believe I actually made that! You see, I think when we challenge and push ourselves, we find we are capable of much much more than we ever thought.

So, are you ready to challenge yourself too? This is me, signing off, pouring myself a stiff gin, and handing the baton to you guys for a month. Show us what you got people!!!

You can see all this month’s awesome inspiration posts here. And if you’re inspired to get your refashion on and enter the Community Challenge and be in with a chance of winning some epic prizes…DO IT! Deadline for entries is 30th Sept. Midnight GMT.

The Refashioners 2016 - Huge Prize Package

….I think you’ve got the idea now right? Essentially we want you to refashion some jeans! (You can find the full details/small print of the brief here). BUT, if you want to be in with a chance of winning one of these amazing prize packages you need to SHARE that refashion with us in one of the following ways:

  • On Instagram: Share a pic using the hashtags #therefashioners2016  and #jeanius
  • On Pinterest: There is a community board here where you can pin your makes. (You will need to request an invite to join)
  • On Facebook: There is a community board here where you can post your makes (You will need to request an invite to join)

Only entries shared via the above 3 methods will be entered into the competition. Closing date for entries is 30th September 2016 Midnight GMT. Good luck!!

DIY, refashioning, the refashioners, The Refashioners 2016, Tutorials, Uncategorized

The Refashioners 2016: Marilla

08/17/16

THE REFASHIONERS 2016 - MARILLA WALKER

First of all I just want to say thank you to Portia for including me in the refashioners 2016. It is a pleasure to take part and reminds me of how much useful cloth we are surrounded by that can be reused and re-purposed. Thanks Portia x

So this year’s challenge is denim! Such a great start! I have probably refashioned more jeans than any other item of clothing and rarely give away good denim. It’s one of those items where the cloth still has a lot to offer in terms of durability and is often superior to equivalent fabrics you can find by the metre. For that reason I am a jeans hoarder.

THE REFASHIONERS 2016 - MARILLA WALKER

I set aside two pairs of jeans for this challenge and  was immediately thinking of the different blue hues and the signs of wear on my garments. I was reminded of traditional Japanese textiles, their use of indigo dye and the boro mending technique. Boro garments and textile items I have seen are rich in colour variation and texture. Below is a better description of traditional and ‘true’ Boro textiles.  Japan’s mended and patched textiles are referred to as boro, or ragged, both in Japan and abroad.

” Boro textiles are usually sewn from nineteenth and early twentieth century rags and patches of indigo dyed cotton.  The diversity of patches on any given piece is a veritable encyclopedia of hand loomed cotton indigo from old Japan. In most cases, the beautiful arrangement of patches and mending stitches is borne of necessity and happenstance, and was not planned by the maker.  Imagine that boro textiles were stitched in the shadows of farmhouses, often at night by the light of one dim candle and on, on the laps of farm women. This unselfconscious creative process has yielded hand-made articles of soulful beauty, each of which calls upon to be recognized and admired as more than the utilitarian cloth they were intended to be.” Source.

THE REFASHIONERS 2016 - MARILLA WALKER

When I was approached about the challenge I had recently acquired a new jacket pattern and immediately knew this was what I wanted to make. I used the fabulous Falda jacket pattern by Pattern Fantastique .

My approach with refashioning jeans always remains the same.  I unpick the inside leg seam and flatten both legs out to get the most amount of flat fabric.

THE REFASHIONERS 2016 - MARILLA WALKER

 

Inside leg seams are often sewn with a chain stitch, which if you pull the lower thread from the right direction you can just unravel without any tricky unpicking. See this instagram clip I posted here . It ‘s difficult to describe which is the right end, but it’s the base of the chain stitch. Just keep fiddling with both ends until one pulls easily. That’s how I discovered it!

THE REFASHIONERS 2016 - MARILLA WALKER

 

It did take a while to fit all the pieces on and I did have to use a skirt back left over from another refashion for the jacket back, but with careful planning I got there. I cut the lower sleeve pieces for the jacket thinking I was going to have long sleeves, but if I hadn’t done that then maybe I could of squeezed the whole garment onto just the jeans. After basting the side seams with short sleeves I decided I loved it as it was, so omitted the lower sleeve portions from the final garment.

THE REFASHIONERS 2016 - MARILLA WALKER

 

So here is the final jacket!

THE REFASHIONERS 2016 - MARILLA WALKER

 

It is difficult to plan a refashion absolutely and finally, so I let the process be pretty organic. I sewed up the jacket and realised the pocket placement was not working at all, so unpicked them and re-stitched them in a more natural and practical position. I really love the dark, ghost like patches that have been left behind.

The length of the jacket is longer than the pattern states because I just left the hem down. The front facing does not meet the bottom hem, so I just improvised because I really liked the longer length. Well, I liked it after I had a go at shaping the bottom hem. I chopped a load off both sides and didn’t like it, so ended up making Frankenstein style repairs to sew the missing pieces back on! This was actually a brilliant move as it led to all sorts of new additions in an attempt to make good my horrific mistake.

THE REFASHIONERS 2016 - MARILLA WALKER THE REFASHIONERS 2016 - MARILLA WALKER THE REFASHIONERS 2016 - MARILLA WALKER

 

Once the construction was complete the most fun bit was adding all the finishing details. I topstitched everything fairly neatly for the main body, but then incorporating my disaster into the garment allowed me to play with some finishing ideas. The inside seams are zig zagged with the gold topstitch thread which mimics the original finish of the jeans and then different colour bias tape has been used for mending and finishing the front edges and stabilising the raw edge hems. All the hand stitching is done in white thread for a point of difference and is used to mend and also anchor down parts of the facing.

I refashioned garments from the denim brand most synonymous with jeans and added touches of the original branding here and there.

THE REFASHIONERS 2016 - MARILLA WALKER

 

Here is the original leather label sewn onto the inside of the jacket back with hand stitches.

THE REFASHIONERS 2016 - MARILLA WALKER

 

So a combination of different denim washes, stitch techniques/thread colour and recycling of the original elements has produced a very “boro like” garment. I really find denim to be very malleable and a bit of a rough finish here or there only adds to the charm. There are so many nice hidden details to be discovered and the softness of the worn fabric makes this a very tactile item. It is actually more interesting off the body than on in some ways, but is also a completely relevant new item of clothing from old.

THE REFASHIONERS 2016 - MARILLA WALKER

 

If you hadn’t guessed, I really enjoyed this challenge! I can’t remember if I mentioned this last year, but this really appeals to my textile design background and I love considering all the detail placements.

THE REFASHIONERS 2016 - MARILLA WALKER

 

I pinned bits on and removed them, stitched bits and unpicked until all was completely how I wanted and achieved a balance I was happy with. This just goes to show that if you don’t instantly love your creation, it may just need some tweaking to become perfect!

THE REFASHIONERS 2016 - MARILLA WALKER THE REFASHIONERS 2016 - MARILLA WALKER THE REFASHIONERS 2016 - MARILLA WALKER

 

Thanks again Portia and thanks Pattern Fantastique for the great pattern! I have been wearing it all day and am set to wear it all the days!

THE REFASHIONERS 2016 - MARILLA WALKER

 

So are you tempted to give refashioning a go? One or two old pairs of jeans are definitely the best place to start (in my opinion). Check out some previous denim refashions I have made here  and here.

Not much can go wrong and remember frayed edges are cool, so don’t fret it! 😉

I really love this approach to refashioning. Starting with an idea of the type of garment you’d like to end up with, but not having an overly rigid approach to how you get there or exactly how the finished garment will look. Adapting to the challenges your base garments throw at you as you go and allowing the final garment to evolve. It’s a free flow approach that really allows creativity into the process and can result in some unique details and “happy accidents”. It’s also far less stressful than trying to wrestle a garment to conform to rigid preconceived idea, when it just doesn’t want to be what you want it to be! I always remember my sewing tutor telling me (in relation to fitting a garment) “Watch the fabric. It will tell you what it wants to do”. Same applies to refashioning in my experience.  I tend to think of it as working WITH the garment. Not against it. Or to put it another way,  just roll with it and see what you end up with 🙂

You can find Marilla here or here. And if you’re inspired to get your refashion on and enter the Community Challenge and be in with a chance of winning some epic prizes…DO IT! Deadline for entries is 30th Sept. Midnight GMT.

The Refashioners 2016 - Huge Prize Package

….I think you’ve got the idea now right? Essentially we want you to refashion some jeans! (You can find the full details/small print of the brief here). BUT, if you want to be in with a chance of winning one of these amazing prize packages you need to SHARE that refashion with us in one of the following ways:

  • On Instagram: Share a pic using the hashtags #therefashioners2016  and #jeanius
  • On Pinterest: There is a community board here where you can pin your makes. (You will need to request an invite to join)
  • On Facebook: There is a community board here where you can post your makes (You will need to request an invite to join)

Only entries shared via the above 3 methods will be entered into the competition. Closing date for entries is 30th September 2016 Midnight GMT. Good luck!!

refashion, refashioning, repurposing, Restyles, the refashioners, The Refashioners 2016, Uncategorized

The Refashioners 2016: Mirjam

08/02/16

The Refashioners 2016 - Mirjam Liechti

Hi, this is Mirjam from miushka.com and I’m wearing a top made out of a pair of jeans!! But first things first. I was so excited when Portia asked if I wanted to take part as a blogger in this year’s refashioners. Of course I wanted to! I really got a kick out of last year’s community challenge, and contributing my piece as a blogger this year is just a little bit mind-blowing. So here I was, with a piece of thrifted and washed but unwearably frumpy clothing: the old pair of jeans.The Refashioners 2016 - Mirjam Liechti

Last year I made trousers from a shirt, so this year I would go the other way and make a top from trousers. I set myself two challenges. Firstly, I wanted to use just one pair of jeans to make a new piece of clothing (I only used a second pair of old jeans to produce some contrast bias binding for the neckline). Secondly, I did not want to leave any waste from that one pair of old jeans I was using. I used up practically everything from my original pair of jeans, except for some tiny scraps and offcuts. I got enough material from the jeans to make a top and was even left with some shorts to wear it with.

To begin with, I cut my jeans four times and reassembled the pieces to make the top and shorts.The Refashioners 2016 - Mirjam Liechti

 

So simple, right?! This is what I love most about refashioning: It really doesn’t take much at all, just some bold cuts and a little constructive rearrangement. I used the bottom parts of the trouser legs as sleeves, leaving the original hem intact. The mid-part of the trouser legs I turned upside-down, so the wider parts of the legs would be sitting around my belly – I haven’t told you yet, but I’m making a maternity top here, so I’ll need the extra belly room!The Refashioners 2016 - Mirjam Liechti

I ripped the inner leg seams to expose the dark edges. Then I joined the two legs to form the bodice. I’d only just gotten a new toy – my very first overlocker machine – so I played around with the stitches a bit. To close the centre front and centre back seam I used my overlocker’s flatlock stitch. For this you stitch two layers of fabric together and then lay them flat open and wiggle and jiggle the layers of fabric until the seam is all flat. Magic!The Refashioners 2016 - Mirjam Liechti
­

Next, I attached the sleeves, adjusting the fit a little by cutting off bits of fabric here and there. To give shape to the sleeves and to make them sit on my shoulders I opened half the shoulder seams, taking in a bit of fabric when restitching. To finish the neckline I used bias binding made from another old pair of jeans.The Refashioners 2016 - Mirjam Liechti

The Refashioners 2016 - Mirjam LiechtiThe Refashioners 2016 - Mirjam Liechti

At this point, my top was really boxy, if not huge. A good thing around the growing belly, but not very flattering. So I added bust darts, but left enough room so I wouldn’t have to add any closures. I can easily pull the top over my head. And there’s still enough room for my belly to grow (at the time of writing I have four months to go!). I finished the hem by folding it over and inserting a thin elastic strap to keep the stiff fabric from sticking out too much.The Refashioners 2016 - Mirjam Liechti

 

So that’s the top – what about the shorts, though? Well, these were basically just left over, as I’d only used the trouser legs to make the top. I left the shorts as they were after the first cuts.The Refashioners 2016 - Mirjam Liechti

They fit nicely around the hip and I like the length I cut them in the first place. The edges are left raw and for that decent denim look I’m now waiting for the shorts to fray with washing and wearing.The Refashioners 2016 - Mirjam Liechti

Thank you, Portia, for creating and organizing such an inspiring challenge for the sewing community. I really can’t wait to see what everyone makes of it!

Well first of all…HUGE congrats Mirjam on your impending new arrival!!  Secondly…do you know what floats my “oooooh that’s clever” boat most about this make??  The way Mirjam has cut the armscye curves/sleeves out of those leg cuffs, and that the “opposite” curve in the leftover leg then informs the shape of the neckline. Flipping those larger pieces upside down with the wider part at the bottom. Doing it like this gives maximum use of the fabric available.  And when it comes to refashioning jeans, (where flat fabric is at a premium) it’s a very clever approach and one worth noting! Replacing those flat fell seams with the less bulky flatlock approach also makes the seam more fluid. Nice touch!

You can find  Mirjam here or here. And if you’re inspired to get your refashion on and enter the Community Challenge and be in with a chance of winning some epic prizes…DO IT! Deadline for entries is 30th Sept. Midnight GMT.

The Refashioners 2016 - Huge Prize Package

….I think you’ve go the idea now right? Essentially we want you to refashion some jeans! (You can find the full details/small print of the brief here). BUT, if you want to be in with a chance of winning one of these amazing prize packages you need to SHARE that refashion with us in one of the following ways:

  • On Instagram: Share a pic using the hashtags #therefashioners2016  and #jeanius
  • On Pinterest: There is a community board here where you can pin your makes. (You will need to request an invite to join)
  • On Facebook: There is a community board here where you can post your makes (You will need to request an invite to join)

Only entries shared via the above 3 methods will be entered into the competition. Closing date for entries is 30th September 2016 Midnight GMT.

DIY, Sewing, Tips and Tricks, Tutorials, Uncategorized

Top Tip: An easy way to store your sewing machine needles!

05/27/16

An easy way to store sewing machine needles

So having dealt with the issue of storing my hand sewing needles with my origami needle wrap (free pdf pattern here) my attention turned to my machine needles. Up until now I’ve had them stored in one of the drawers of my Ikea Moppe mini drawer unit. I think every craft space must have one of those right?

In any case, that storage method was certainly adequate. But for some reason it bugged me that I had to rummage around to find the needle pack I needed and couldn’t see at a glance when I was running low. So I’d occasionally go in search of a particular type of needle only to find I’d run out of that size/type. Not a massive issue as other needles will always do the job at a push. But I find my machine produces a better stitch when it has the right needle for the right job…An easy way to store sewing machine needles

I had just restocked all my machine needles. So it seemed a good time to sort out an improved storage solution for them. As it happened, I’d been on a bit of a purge/sort out mission all week. Among the things I’d  donated  to the charity shop was an old organiser/ring binder; (like a cheap filofax thing) but I’d kept back the plastic inserts above. They had multiple sections for business/credit cards and it occurred to me they were the perfect size  for machine needle packs!

An easy way to store sewing machine needles

So I simply cut them into separate pieces…

An easy way to store sewing machine needles

Hole punched each corner…

An easy way to store sewing machine needles

Then whacked in a split ring with a lobster clasp connected.

An easy way to store sewing machine needles

So every needle pack now has it’s own little see through pouch. So I can find the one I need quickly and easily and see at a glance if I’m running low etc…

An easy way to store sewing machine needles

And the whole thing hangs right next to where I sit at the sewing machine for easy access and makes the little organisational addict in me smile inside, lol!

An easy way to store sewing machine needles

There!! Much better than having them bundled in a drawer or strewn across my worktop!

How do you store yours? Any other nifty storage tricks you use in your sewing space?

DIY, how to, Sewing, Tutorials

DIY: Origami Needle Wrap (+ free pdf pattern)

05/11/16

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

Sometimes I need a break from sewing and just need to get my craft on! For ages my sewing needles have been scattered about between my pin dish and various other little pots and drawers; and I could never find the needle that I wanted, when I wanted it. And so…this little leather origami needle wrap was born…ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

The origami needle wrap features  a simple envelope shape, with a wrap around magnetic closure. The whole thing opens out to lay flat on your work surface and 3 separate felt inserts allow you to organise needles by type/size etc. It’s super simple to make and you can download the free pattern at the end of this post if you want to make one of your very own 🙂ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

I made mine from 1mm natural leather. I got the whole thing out of a 20cm  x  20cm square purchased on ebay here. I used 1mm wool felt for the inside. Also purchased on ebay here. Magnets used here are strong neodymium disc magnets that I had left over from my air dry clay fridge magnets and are available here. ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

First step is to cut out and trace the template onto the leather. I used a Frixon pen for this, as the marks can be removed later simply by applying heat from an iron (through a pressing cloth as opposed to directly onto the leather)…I use these quite alot directly onto fabric when I’m sewing too. Awesome pens!ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

To mark the position of the slit opening for the strap, I simply used the tip of my seam ripper to make an indentation through the paper pattern and onto the leather…ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

Cut the whole thing out carefully…

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

Then using a scalpel cut the slit opening as indicated on the pattern. Note the pen marks that are currently still visible…

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

…and after the application of a little heat, magically vanished!!

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

The wrap is then assembled as above. The strap slides through the little slit from the RS. Magnets are super glued in place. Make sure before you stick the magnets down that they are the right way up. If you stick them the wrong way, the closure magnets will repel away from eachother as opposed to fastening.  The placement marks on the pattern are right for the materials that I used. But different materials will have a different “turn of cloth” value (they will fold slightly differenly) which may subtly affect the placement of the fasteners. Tape the whole arrangement above in place, and just test it all wraps up and closes to your satisfaction before you commit to gluing the magnets in place and securing all the element permanently. ( I use magic tape as there isn’t the sticky residue that you get with sellotape)

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

The strap is stitched in place from the outside, and there is a dotted line on the pattern piece for the strap that lines up with the slit to help you get it in the right position. (if you sink it too far in to the slit, it will effectively reduce the length of the strap which then won’t wrap around fully).

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

Cut and stick in the felt (magnet is now nicely covered!) I used bondaweb for neatness , but glue/spray adhesive should be fine too; as long as it doesn’t soak the felt too much or seep out onto the leather around the edges

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

Add your needles and stand back and admire!

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

I really am a little in love with the neatness and simplicity of this shape…

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

The absence of any visible closures adds to the clean lines 🙂

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

The pattern is available, free to download, here and conveniently prints onto just one sheet of A4.  I’d love to hear from you if you make one so do let me know in the comments, or tag me @portialawrie over on Instagram so I can see!

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

Enjoy your new “luxe” needle wrap!!

 

DIY, how to, Sewing, Tutorials

Pattern Hack: Maya Summer Sweatshirt Experiment

04/21/16

I’ve been playing a bit with ponte recently. I’m not ready to ditch warm sweatshirts just yet but hopefully I’ll be needing some lighter weight transitional ones in the coming weeks. (Although at the moment it’s still coat weather here!!) And to my mind ponte is perfect for that. Midway between a sweatshirt and a tee. I literally LOVE this blushy beige ponte from Fabric Godmother. (It’s actually down as Roma Jersey. Feels very ponte to me. Is there a difference people? Do tell!)) I had visions of a simple silhouette with some subtle detailing…maya summer sweatshirt hack (1)

I opted to play with my tnt Maya pattern by Marilla Walker. Ignore the fact that it looks like I cut it massively longer than the pattern. I didn’t. I’ve just hacked my Maya pattern pieces down really short so I can play with different lengths and hem finishes on the fly. It’s not precise this playing malarkey. If it helps you to gauge, I’ve cut to just above hip length in the pic above…

maya summer sweatshirt hack (2)

I’ve been slightly obsessing over darts and seaming. Not just in terms of poviding shaping but as a way of providing interest to plain fabrics too. And since my make for the BV Sewalong showed me that a darted top could give me a better (on me) version of the boxy style tops I love….I thought I’d give it a go on this make. So I made up the maya as per usual….then pinned out some angled darts from the waist either side of the CF…

maya summer sweatshirt hack (3)

Then cut and joined a wide strip the same circumference as the hem. (Look at the colour of that fabric people. LOVE!)

maya summer sweatshirt hack (4)

Folded the band in half, pinned, then serged to the hem.

maya summer sweatshirt hack (5)

Same process but with shorter bands (obvs) for the cuffs…

maya summer sweatshirt hack (6)

Et voila! A short sleeve summer Maya sweatshirt! The darts are my absolute favourite part of this experiment. I love the subtle shaping they give and the interest they add. Apart from my usual hatred of self photography, there is a reason you’re not seeing a shot of me wearing this. I messed up with my proportions a little and it’s just a little too big currently. I’m also not sure about the cuffs on me.  It’s in the queue at my overlocker to be adjusted. But I wanted to share it with you. If you wanted a sweatshirt with a little more shaping….give ponte and darts a go!

 

DIY, how to, jewelry, Tutorials, Uncategorized

DIY: Multi Way Silk Cord Necklace

04/18/16

silk cord necklace header

I’ve been working on lightening up my colour palette for Spring/Summer.  Winter has seen me migrating to black ALOT and I’m trying to bust out of that a little and have plans on introducing some indigo blue to boost my usual palette of greys and neutrals. (Hey, small steps for a colour phobe, lol!) So when Endless Leather asked me if I’d like to have a play with their silk cord, and then I saw the colour range I decided it was a perfect opportunity to create some simple and tactile jewellery to complement my wardrobe plans.

I wanted to create a versatile and simple piece of jewellery where I could play with different colour combinations depending on my outfit. Subtly contrasting the texture and colour of  various silk cords with metallic elements in the form of these slimline magnetic tube clasps…diy multi way silk cord necklace

I opted for the 3mm twisted silk cord in 4 colours….night blue, truffle, beige and grey taupe; with magnetic clasps to fit. There are brighter colours available if you’re not a neutrals gal like me, lol!

So, onto the how to part…diy multi way silk cord necklace

The first thing I should mention is what happens to the cord the moment you cut it! (it arrives with the ends taped, and you can see why!)

diy multi way silk cord necklace

To combat this I just used a bit of magic tape at the point where I wanted to cut, then cut through the tape and the cord in one go. As I was wrapping the tape I was tightening up the twist in the cord too. It’s a 3mm cord that needs to fit in a 3mm hole. So not alot of wiggle room. Tightening up the twist as you tape eeeeeeever so slightly reduces the overall diameter of the rope giving you a bit of wiggle room to get it into the clasp in the next step…

diy multi way silk cord necklace

I know it probably sounds really simple to stick the cord in the tube clasp, but there is a little more technique involved. Obvs a very careful drop or two of glue into the hole in the magnetic clasp, where the cord is going to go. Pop the taped end of the cord into the hole. It’s a really snug fit so won’t go all the way in without some encouragement! Twist the tube clasp in the direction of the twist of the cord. (If you twist the other way you’ll be loosening the twist in the cord, which we don’t want).  As you do so, the tape will want to come off.  (There’s really not enough room in the hole for the tape as well!) Carefully peel the tape away (that’s why I used magic tape. It’s low tack and will come away relatively easily). Then continue twisting  the clasp until it has gone as far onto the cord as it will go…

diy multi way silk cord necklace

Repeat for the other end and it’s as simple as that….

diy multi way silk cord necklace

I cut 3 of my cords between 16″ & 17″ and the blue one at bracelet length. You could do them all as bracelets too of course. Or have many more lengths and variety of lengths than I have here. But the simple idea of this is that the clasps act both as decorative and functional elements. Allowing you to combine 2 or more of the cords in an almost infinite number of ways to style your piece however suits your current mood, outfit, or colour palette. Simply by joining the magnetic clasps together in different combinations…diy multi way silk cord necklace

You can knot, twist, tie and get creative with how you want it to look…

diy multi way silk cord necklace

Keep it sleek and simple or pile it up for more impact…

diy multi way silk cord necklace

Perhaps add in some rubber or leather cord in the same thickness to mix up the texture as well as the colour.

The pure silk cord for this project was generously supplied free to me by Endless Leather. They supply all manner of leather and silk cords and jewellery findings, (as well as straps, leashes, belt leather etc) are based in Germany and ship internationally. They have kindly supplied me with materials in the past and I can say without bias, the quality really is fantastic. As well as the service and shipping.

The clasps in this project were bought here. Purely because the design I had mind required the clasps to sit “flush” with the cord and almost appear to be part of it.

Anyways, a SUPER simple make with maximum versatility, no? I plan on including some rubber and leather pieces further down the line. I love the idea of something so luxurious as pure silk contrasting with the industrial feel of rubber or the rustic feel of leather. I may even incorporate a bit of colour? Or maybe I won’t…. 😉

DIY, how to, pattern adjustments, Pattern Drafting, Sewing, Tutorials, Uncategorized

The Copycat Crepe Top – (Part 3) – Grading the sewing pattern down (or up!) a size

02/28/16

Ok, so following on from Part 1 & Part 2 of The Copycat Crepe top my final step was to take the pattern that I had copied from the original RTW garment and size it down. This is a first for me. I had never graded a pattern before. But thanks to this great tutorial from Melly Sews (There was also one from Burda that I now can’t find, aaaargh!) I was able to figure it out. I thoroughly recommend hopping over to that tute as well, if this is something you are planning to try!

So here is where I was at….MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

MAKING A SEWING PATTERN FROM AN EXISTING GARMENTI had made my pattern and tested it with a toile; and in every way in terms of how it hung/fit on me it was pretty much identical to the original top. So I was feeling pretty chuffed with myself! (First time I had made a pattern from a rtw garment too!). Including the fact that it was too big. Probably by about 1-2 sizes was my best guess. The label had been removed so I don’t know the original size.  Based on how the top fit me I reasoned that the difference between the bust size of the top and my own bust size, was about 3″.  That is therefore, how much I wanted to reduce the pattern by across both the front and back pattern pieces. (Known as the “total grade”).

All the advice out there btw, asserts that 1-2 sizes (around 2″) is about the maximum you want to grade a pattern up or down by, in one pass. The reason being that the pattern begins to get increasingly distorted the more you grade by. If you want to grade a pattern by substantially more than that, then it’s best to do it in stages. Grade by 2″ make a totally new pattern, then grade that one by 2″. Obviously I haven’t done that. I’ve graded by 3″. Because I’m naughty like that.

This method involves slashing the pattern pieces along various lines, and overlapping them. Thus making the pieces incrementally smaller. (The exact same process applies for making it bigger, except you spread instead of overlap) The total grade amount (3″ in my case) is split up evenly between the front and back pattern pieces, and then again between multiple lines on those pattern pieces. So each individual overlap is relatively small, but added together they all add up to 3″. (The sleeve is addressed separately after grading the main pattern pieces).

Right, so seeing as this requires me to slice up my pattern pieces, the last thing I wanted to do was mess up the pattern I had so painstakingly created. So my first step was to trace off copies of all the pattern pieces….(then if I fluffed this I was still ok!)GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Next I drew in my “slash” lines. The process is the same for the front and back pattern pieces here. It’s a simple dartless top so nothing to complicate things thank goodness. You can see 3 vertical lines here. (Yep, they’re double lines but I’ll get to that in a moment. For now lets just call it 3 places on the pattern where I’ve drawn vertical lines, lol!). And one horizontal line. All of the vertical lines are parallel with the CB/CF lines . The horizontal line is perpendicular (90 degrees) to the CB/CF line….GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Line 1: straight down from the neckline. Line 2: Straight down from the shoulder. Line 3: straight down from the armhole.  Reasonably, when you consider a multi size pattern, then the neckline, shoulder and armhole will differ proportionately between sizes in those areas. So it makes sense to put the adjustment/slash lines in those positions. The horizontal line is roughly at the waist. A pattern will not change in length between sizes, as much as it does in width. So the adjustment here is small, and it seems from everything I’ve read, a standard 3/8″ between sizes. **(see note further down. I did end up putting a second horizontal slash line across the armscye. It may even be preferable to add a third horizontal slash at the shoulder and spread your 3/8″ between them)

OK. So a little math before we go any further. My total grade (the total amount I want to reduce the garment by) is 3″. I’m going to switch to cm here as it gets a little tricky to show the math in inches! So 3″  converts to roughly 7.6cm

I want to split that between two areas. The front & back of the garment. 7.6cm divided by 2 = 3.8cm. So I want to remove 3.8cm from the back of the garment, and 3.8cm from the front.

My pattern pieces represent half the back of the garment and half the front of the garment. So I need to split that measurement in half again. 3.8cm divided by 2 = 1.9cm.  So I want to remove 1.9cm from the back pattern piece, and 1.9cm from the front pattern piece. For the sake of simplicity, what’s 1mm between friends (at least on a loose fitting garment like this)? I’m going to call that 2cm. Just because that’s easier to work with without me losing the will to live!

So now I want to take that 2cm and divide it between my 3 vertical lines.  But hold your horses! It seems that it’s not quite as straightforward as dividing it by 3.  It’s never THAT simple, lol! But…it does make sense. From what I gather from the reading I have done, the change between sizes doesn’t happen equally in those 3 areas. (The vertical line’s I’ve drawn will directly affect the neckline, shoulder and armhole width). The greatest proportion of the change between sizes happens nearest the side seams and that vertical line at the armhole. With a slightly smaller change to the neckline and shoulder….GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

So, with that in mind I took 1cm from the slash line at the armhole. Then 0.5cm each from the slash lines at the shoulder and neckline…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

My lines here are double. The first line on the left is the one I plan to cut. The second line is drawn to show where I want to butt the cut edge up to when I overlap; the distance between those two lines is the amount I want to grade by in that section.

In the picture below I’ve marked my cutting lines with an x…and marked the distance between the two lines. Essentially I’ll be removing the sections between those two lines…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

The double dashed lines above are balance marks. They should be perpendicular to my slash lines and drawn with a ruler. I was being a bit slapdash there, sorry! The purpose of them is to provide alignment marks once the piece is slashed. What we don’t want to do is accidentally shift the pattern pieces up or down when we overlap/realign them as this will distort the pattern. Horizontal balance marks serve as a guide to line everything up again…

As does the horizontal slash line at the waist line…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

So with all of that in place I took a deep breath and sliced up my pattern along my 3 vertical cutting lines…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Then overlapped the cut edge up to the second line that I had drawn and stuck in place. You can clearly see why hastily drawn angled balance marks don’t entirely work, lol! The must be straight and at 90 degrees to your vertical line to be effective. Luckily that horizontal line at the waistline served as a very effective balance mark and by aligning that, I made sure the pieces didn’t shift up or down as I overlapped them…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

On both the front and back pieces….I overlapped all 3 vertical slashes by the amount that I’d marked. (0.5cm  + 0.5cm  + 1cm  = 2cm.)  The horizontal line at the waist is overlapped by 3/8″. Again, from all my reading it seems that this is a standard in pattern grading. For each size you go down (or up) the length is reduced (or increased) by a standard 3/8″. **(I did go back and put a second horizontal slash line extending from the CB/CF line through the armscye and overlapped that by a further 1/8″.  I should probably have done this from the outset plus another horizontal line at the shoulder for good measure. Both those additional horizontal lines  serve to reduce the height of the armscye which seems to me a sensible thing to do as this is something that does change between sizes. As it is mine worked out fine. But…just sayin….).GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Overlapping will leave areas like the shoulder…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

The armscye…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

And the hem… GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

…with areas that need smoothing out.

I tend to make a little “extension” in the area I want to redraw by sandwiching the paper pattern between two layers of masking tape…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

….and drawing my new line onto the masking tape. If you look carefully you can see the pattern through the masking tape in these pics…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Then simply cut away the excces along the new line…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Same on the neckline and shoulder and hem…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

When it comes to grading the sleeve pattern, it’s all about establishing the total amount that you have removed from both the front and back armholes, and removing the same amount from the sleeve pattern…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Mine was 1cm from the vertical slash at the armhole on both the front and back pattern pieces. So 2cm in total. Then I took a further 1/8″ across a horizontal slash on both the front and back pattern pieces. So another 2/8″ there. Of course it’s just like me to mix up my metric and imperial as if things aren’t confusing enough, lol!!GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

After a bit of conversion and rounding I calculated I wanted to remove a total of 1″ from the sleeve pattern piece so it matched what I had done to the armholes when I graded them.

The sleeve pattern I slashed with 3 vertical and 1 horizontal line. I spread that 1″ total grade as follows: 3/8″ at the left and right vertical lines. Then 1/8″ each at the centre vertical and 1/8″ at the horizontal line. (You can also see I drew my balance marks properly this time, lol!) Then smoothed out my lines as above….and I was done…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

I don’t think I did everything technically perfectly here. Namely the number of horizontal slash lines I started with. But hey…it all worked out…and it WORKED! So as my first attempt at grading…I’m pretty chuffed. And it’s nowhere near as difficult or scary as I thought. Being able to grade up or down a size opens up a whole host of options….THE COPYCAT CREPE TOP

…I’m intrigued to learn more!

Don’t forget the Copycat Crepe  Top giveaway with The Splendid Stitch here! Closes tomorrow!!!

DIY, how to, Pattern Drafting, Sewing, Tips and Tricks, Tutorials, Uncategorized

The Copycat Crepe Top – (Part 2) – Making a pattern from an existing garment

02/23/16

Following on from Friday’s post (don’t forget to enter the giveaway on that one btw!) today I’m going to show you what I did to create a sewing pattern from this here rtw top…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

The method I used involves completely deconstructing the original top. If this is something you absolutely don’t want to do then you could try the “rub off” technique. Not a method I’ve tried yet. But the rub off technique has the benefit of leaving your original garment intact. This method though, enables you to seperate the original pattern pieces and have everything lay flat. Thus enabling easier/more accurate tracing and measuring.  In this instance the top I started with cost me £2 from a charity shop (So I’m not gonna be out of pocket financially here) It was 1-2 sizes too big (label had been removed so not entirely sure but I couldn’t have worn it the way it was). I didn’t like the colour on me (judging by the feel of the fabric there was a high level of synthetic content so dyeing  wasn’t really an option) and there was a stain right in the front. So all in I was happy to slice this one up and make a pattern from it from which I could make multiples of the same design.

The process of deconstructing a garment is such a useful one in terms of learning about construction order and construction techniques. Since rtw garment manufacture will often use more time efficient methods than home sewing patterns, it’s a great opportunity to have a delve and learn a few things that you may be able to apply to future makes. I seam ripped this top in a couple of hours one evening while I was watching Netflix. As I went I noted the order in which I deconstructed the top. (Essentially working backwards from the original construction). When I finished, I simply reversed my deconstruction list to give me my construction order for remaking the top! Make sense? The way the inside seams lay on top of eachother will tell you the order in which they were sewn. It was during this process that I noticed that the underarm and side seams had been sewn after the sleeves had been inserted flat. Prompting me to try this on my first toile and leading to much happy clapping and squealing in shedquarters when I finally achieved the perfect sleeve head! Even if this top hadn’t worked out, that would have been enough of a pay off from this process, for me!MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Deconstructing left me with these 4 pieces. (Front, back and 2 sleeves). I removed/seam ripped all  of the stitching, taking care not to disrupt any of the raw edges or stretch the fabric around the curves as this would disrupt the shape of the pieces and I want to trace them as closely as possible to what they would have been originally. I also marked the back and front of one of the sleeves. Once they’re laid flat it’s easy to lose track of which side is which and this is of course, an important piece of info in achieving smooth sleeve insertion on the final top! You’ll also notice the folds along the edges where the original seam line was.  Again…important info to have going forward as the amount of seam allowance the top is to be sewn with will impact on the final fit…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Before tracing, press all the pieces flat. (You’ll only need to press one of the sleeves obvs). Being careful not to stretch the fabric as you press. The key thing here is we’re pressing (lift, press, lift, press)….not ironing (moving the iron across the fabric in one continuous motion whilst applying pressure)…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

The next step is to split the front and back of the top in half to give the familiar 1/4 pattern piece.  (Below is my front piece). To do this I folded the piece in half lengthwise and  meticulously lined up the neckline, shoulder, armscye and side seams right on top of eachother; and pinned in place…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

 

MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

This essentially gives me a long straight edge that will become my CF seam. I pressed a sharp crease along that edge then opened it all out again….MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

It gave me a super clear and straight cutting line so that I could accurately split the piece in half…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

 

MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Retain one of those to use as a template. Discard the other. Repeat for the back piece. (nb: my back piece was a little tricky as it had a zip installed so I pinned it as I did the front and pressed the CB as far as I could. But ommitted this “cutting up the center” step and skipped straight to tracing around the folded pattern piece).

Weight each piece down, smooth and flat, on top of tracing/pattern/wrapping/brown paper. (I’m working on my sleeve piece here) I didn’t use pins as they can disrupt the line around the edge of the fabric. Carefully trace around the perimeter of the pattern piece…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

I used a dotted line snugged right up against the edge of the fabric, taking care to draw in any corner points as accurately as possible…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

I was left with a dotted line, which I then carefully smoothed out using a French curve or ruler…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Checking things like seam junctions and corners were square and adjusting my pencil lines as needed…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Cut out. Add in those all important front/back sleeve head notches and centre notch….MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

The next measurement I needed was the amount of seam and hem allowances the top had been constructed with. Measuring from the edge with a seam gauge I established those measurements (they’ll vary across the pattern)…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

And marked them on my pattern piece along with the grainline and pattern details.  NB: The seam allowance on a deconstructed garment will be small as the “trim excess seam allowance” step has already been carried out during the manufacturing process. So further down the line you may want to increase the seam allowance on your pattern.MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Repeat for the front and back pattern pieces…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Once all the pattern pieces are cut out line up any seams that will meet, Shoulder seams, side seams, sleeve seams etc) overlapping seam allowances, and smooth out the edges…you can see that neckline curve below isn’t sitting flush and smooth…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

 

MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Again, any seams that will be sewn together, line up the pattern pieces and snip little notches to give you alignment marks for the construction stage…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

And that’s it. I marked all my pattern details onto each pattern piece including the words “First Draft” so if I ever needed to work back to a certain point  I’d know which pattern was which. Then I toiled it…and, well it worked! To the point that the size and the way it hung when worn was  identical to the way the original top fit me. So a win then!MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

 

As I mentioned, the original top was too big and consequently, so was my copy top! So later this week I’ll share the process I followed to grade it down which incidentally, is the same process for sizing a pattern up, bar one detail. I’ll be back later in the week with that post.

But in the meantime, hop over to part one if you haven’t seen it already, for the finished top, and a chance to enter a fab giveaway from The Splendid Stitch

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