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Portia Lawrie

DIY, how to, refashioning, Sewing, the refashioners, The Refashioners 2016, Uncategorized

The Refashioners 2016 – Me (no pressure!)

08/30/16

THE REFASHIONERS 2016 - ME (7)**UPDATE: This coat has been shortlisted as a finalist in the “Dressmaker of the Year” competition for Make it Today: Dressmaker magazine in both the refashioning and readers choice categories. If you’d like to vote for me you can do so here! You have until 25th April 2017.   OK, back to the post…….**

I think sometimes, because I run this challenge, there is a misconception that I am some kind of  refashioning queen. I certainly don’t regard myself in this way. I prefer to think of myself as a refashioning cheerleader.  Much less pressure! The Refashioners challenge has always been about inspiring other people. To showcase  what  they can do with refashioning, rather than showcasing my own skills. It may come as a surprise to some when I say, that I have never refashioned jeans in this way before. The extent of my jeans refashioning is mainly centered around re-fitting and reshaping existing jeans. I’ve never completely deconstructed jeans and turned them into something else. Never. So in selecting this year’s theme I was pushing myself as far out of my own comfort zone as anyone else! Of course, I was characteristically laid back about that. It’ll be fine, I thought! Won’t take long, I thought! Ha!  This project was characterised  by challenges, delays, changes of direction, obstacles and frustrations. But I got there!

I’d originally shelved this idea as “too ambitious” and decided on another idea, that would have been relatively quick and easy. (That’s MY comfort zone people!). As the projects from the other bloggers popped into my inbox it became apparent that great minds think alike. And my intended project was going to be similar to a few others. I wanted the series to offer as much variety of ideas as was humanly possible so I did an about turn about a fortnight ago and came right back to this idea…..The Refashioners 2106 - MeThe Refashioners 2106 - Me

Quilted denim! Because of course, when it’s hotter than it’s been all year, sizzling temperatures are the perfect time to work on a big thick quilted coat. Naturally!  I knew I wanted a thigh length coat. I figured I could get enough fabric from 2 pairs of jeans (wrong!) for the shell and I had lining etc in my stash. I also knew I would have to piece the shell together from smaller component parts. The green jacket above gave me a massive eureka moment there. I fell in love with that diagonal yoke and the directional use of quilting lines and my idea was born….

The Refashioners 2106 - Me

I don’t think I was the only one to snap up the Tamarack Jacket by Grainline as soon as it was released! This was the perfect opportunity to crack it out.  I lengthened the front and back sections by 6″ and shortened the sleeves by 2″. Cut it out and sew it up, I thought. Hmmm….maybe I’ll toile to test the size & fit first before I cut into my scarce denim. Then ensues 3 days (I kid you not) of faffing and fitting around the sleeve/shoulder area. The drop shoulder of the pattern was not working for me at all. Twisting and drag lines that I was worried would translate weirdly to the thick quilted denim I had planned. (I have narrow forward shoulders) I tried in vain to fix it. I could probably have just gone with it. With hindsight. But my inner obsessive came out at this point (and stayed with me for the rest of this make) and I couldn’t let it lie. So I lopped the top off the pattern and spliced in a set in sleeve configuration. Which I then proceeded to fit within an inch of it’s life and after about 4 days of faff,  I had my base pattern…..

The Refashioners 2106 - Me

Turns out that switching to a set in sleeve was a good move. Not just for fit, but because the pattern piece is MUCH narrower that that of a drop sleeve. Handy when they need to be cut from narrow jeans legs….just saying 😉

I sat for a while staring at my pattern on the morning that I started this part. Swiping through my pinterest images. Basically procrastinating and being indecisive. I was still thinking about lines, directions, how to break up the pattern pieces. So I threw down a quick and very crude sketch to try and get things moving thinking I would end up doing a few sketches. But this one was enough….The Refashioners 2106 - Me

 

It cleared the “log jam” in my brain and from then on I knew what I was working towards. So I began to transfer the style lines from my pencil sketch, onto the pattern itself…

The Refashioners 2106 - Me

From then I traced each piece of individually…

The Refashioners 2106 - MeThe Refashioners 2106 - Me

Added seam allowances, marked the grainline, and named my pattern pieces (that one made me snigger!)…

The Refashioners 2106 - Me

 

The Refashioners 2106 - Me

I ended up using 2 pairs of jeans (I actually needed 3 which I’ll come to in a minute) This pair was languishing on the £1 rail of the charity shop. Lot’s of panels, pockets, worn and wrinkled areas. They were very wide (44″ waist) but very short. And because of the construction or complex darts and pannelling “flat” fabric was sparse on this one. But I really liked the denim and thought the pocket shadows on this pair would be awesome…so they went home with me…The Refashioners 2106 - MeThe Refashioners 2106 - MeThe Refashioners 2106 - Me

The second pair (above) was a pair of size 10 fitted jeans donated to me by a friend when they no longer fit. Normally size 10 fitted jeans would not be “up there” when it comes to amount of useable fabric. However….

…these were huge bell bottom jeans! Ha! They provided the perfect amount of fabric from which to cut all four pieces for the bottom of my coat..The Refashioners 2106 - MeThe Refashioners 2106 - Me

Cut on the cross grain…the longer back pieces were cut from the widest part of the leg at the bottom (so the outer leg seam now runs horizontally across my pattern piece) and the shorter front piece cut from the middle part of the leg….also on the cross grain.

The Refashioners 2106 - Me

One problem you may encounter with more fitted/flared/shaped jeans is the fabric not laying flat once you’ve cut up the inseam. This is due to the shaping built into the curved side seam.

On the reverse, look what happens to the fabric either side of the seam line when you pinch it together….The Refashioners 2106 - MeThe Refashioners 2106 - Me

Essentially you can add some shaping of your own at that side seam to counteract the original shaping to get the fabric to lay flat 😉

Middle sections of the coat were cut from the upper legs of the £1 jeans.  I took my time to line up the details on the fabric (pocket shadows etc) so that they would be symmetrical on the finished coat…The Refashioners 2106 - Me

When deconstructed…because of all the panels on these nutty jeans…Apart from the torso area, the pieces I was left with after this were actually quite narrow! Which was a pain in the arse because I had planned on cutting my yokes and sleeves from that pair of jeans too. There was no way THAT was happening…

I still had the bum part of the bell bottoms left so I played around for a while seeing if I could squeeze them out of that. I could….but it wasn’t ideal. It would be wonky off grain (like, not even cross grain!) and I would have original seams intersect at the armhole where I was already worried about bulk. Plus I had these sections earmarked to cut pockets and binding from…The Refashioners 2106 - Me

My project had stalled. It became apparent that I would need a 3rd pair of jeans to have enough fabric for the yoke and sleeves to match. (Another design element that I had become obsessed with). Problem was I didn’t have another pair of jeans and a scour of the local charity shops, twice,  proved fruitless. I couldn’t find a pair of jeans in the right weight of denim. (Because of the quilting I had planned I needed lightweight denim; which the other two pairs were). In the end I had to use a denim remnant from my stash if I had any hope of getting this finished in time. I couldn’t afford to wait for the right pair of jeans….so on this occasion I conceded defeat and the yokes and sleeves are cut from stash fabric. I was gutted by this BUT it is TOTALLY possible to get those pieces (and the sleeves) out of a pair of jeans if you have them as evidenced by the measurements shown below…The Refashioners 2106 - MeThe Refashioners 2106 - Me

I do feel a little like I “let the side down” here. I overestimated the fabric I would have from my £1 pair of jeans and got caught out because of all the panelling etc. But I had to move on and finish this thing….if I could have waited and found that third pair of jeans I would have done. But at this stage, and this close to deadline….I had to compromise.

Moving on…I used what I had left to cut bias strips for the edge binding…The Refashioners 2106 - MeThe Refashioners 2106 - Me

I cut strips in the 3 different colours of denim I used so each section of the coat opening and hem would be bound in it’s corresponding denim…

This is all I was left with from the bell bottoms. The front torso area….which I used to cut the pockets for the coat…The Refashioners 2106 - Me

 

Before I could begin construction there were some holes and rips in some of the pieces I had cut…some from a slipped seam ripper…The Refashioners 2106 - MeThe Refashioners 2106 - MeThe Refashioners 2106 - Me

….and some from where I had removed the rivets during deconstruction…

A pretty simple fix from the underside …The Refashioners 2106 - MeThe Refashioners 2106 - Me

I just applied patches of interfacing to protect against future tearing etc…

The Refashioners 2106 - Me

With all my pieces now cut I began assembling my shell. My first attempt at joining the yoke to the middle was a fudge…The Refashioners 2106 - MeThe Refashioners 2106 - Me

I’d just gone onto auto pilot and aligned raw edges and stitched. When I turned it out it was, of course, off!!

So as a reminder for anyone else who may want to attempt this, the pieces need to be joined so the seamlines match. NOT the raw edges…so the whole thing is sewn slightly offset. By an amount equal to your seam allowance…The Refashioners 2106 - MeThe Refashioners 2106 - Me

And then everything lines up perfectly!

Front sections were joined top middle and bottom. Back section is the same and then joined together with a CB seam…The Refashioners 2106 - MeThe Refashioners 2106 - Me

I get really obsessed with getting intersecting seams to line up. I pinned at these points first and foremost. With the pin going directly through the seamlines on both layers to ensure the are lined up…The Refashioners 2106 - MeThe Refashioners 2106 - Me

This gives me accurate alignment where several seams intersect like at the point of this back yoke (and makes me feel “like a boss!”)

The Refashioners 2106 - Me

The lining I used had also come from a charity shop several months ago. It had the softest flannel underside and the shiniest satin RS. It had obviously been exposed to light whilst folded because there was fading along all the fold lines. It had turned a peachy colour in those areas which I actually really liked. So I decided to make a subtle feature out of it  and found a variegated peach/thread with shades of pale khaki and cream in it to use for the quilting lines on this side of the fabric…(That streak of faded peach is placed centrally on the back piece of the finished coat lining. Only I can see it. That’s how obsessed I got with detail and symmetry on this make!!)The Refashioners 2106 - Me

I did a few practice swatches and loved that effect in particular…

The quilting part itself presented a couple of challenges. Not least because the sturdy nature of denim kind of fights the batting..and instead of the batting pushing the denim up…the denim is inclined to flatten the batting…which diminishes the look of the quilting…The Refashioners 2106 - MeThe Refashioners 2106 - Me

 

In the end I found I had to use a pretty thick (cotton) batting in order to get the “loft” I needed to make the quilting visible. This had a knock on effect with the overall sturdiness of the finished garment. This was going to be one seriously thick and sturdy coat!!

I made a quilt sandwich for each piece and was ready to get started quilting. This is the extent of my quilting experience to date. I am NO expert, lol!The Refashioners 2106 - Me

I began by hand basting length wise and width wise. I did NOT want this shifting or distorting. Construction of this thick wadge of quilt sandwich was going to be tricky enough without that. So baste people. Definitely baste. This wadding was self adhesive but denim didn’t stick as effectively to it as quilting cotton. So it was definitely worth the added “security” not to skip this step!

I first quilted the diagonal yoke seam and the horizontal hip seam….then laid down my vertical quilting lines between those two points….using my variegated thread on my bobbin…The Refashioners 2106 - MeThe Refashioners 2106 - Me

And dark thread on the top…

I used 1″ masking tape as a quilting guide to keep my lines straight and evenly spaced. Starting in the middle and working outwards. I started and finished my lines of stitching just a fraction inside those diagonal yoke and horizontal hip stitching lines and left loooong tails of thread….The Refashioners 2106 - MeThe Refashioners 2106 - Me

Which I then secured by hand and buried within the quilting channels. I was determined to achieve a clean finish on the inside and have all the quilting lines meet and line up perfectly on the lining where any mistakes would be really obvious. I counted, 172 thread tails secured and buried by hand to achieve that finish…The Refashioners 2106 - Me

But it was well worth it. That back piece in particular, the quilting lines on that lining, remain one of my favourite elements of this coat, to the point where I almost want to wear it inside out, lol!The Refashioners 2106 - Me

I repeated this process on all 5 pattern pieces, edge stitch all around the edges of my pattern pieces and cut away the excess batting/lining and I was ready to finally construct this thing!

The Refashioners 2106 - Me

I won’t go step by step into the actual construction because that is all in the pattern instructions for the Tamarack jacket. But I will share with you the parts that go “off pattern”. Including a solution I found for the bulk element of this make…the pattern is designed for lighter weight fabrics so the seams wouldn’t be as thick as this!

As you can see on this shoulder seam…pressing these seams flat was gonna be a challenge. Super thick!The Refashioners 2106 - MeThe Refashioners 2106 - Me

I peeled back the lining and trimmed the batting right up to the seam line…

Ta dah! Bulk reduced…The Refashioners 2106 - MeThe Refashioners 2106 - Me

…and seam presses flat!

I repeated that process on shoulder seams and side seams and I was ready to insert my sleeves which had me all kinds of scared. Because…The Refashioners 2106 - Me

Well….these suckers are so thick they stand up on their own, ha ha!! This picture kills me every time I look at it. This was becoming more like an engineering project than dressmaking. At this stage I was working right at the limits of what my little Janome could cope with…every line of stitching, every bit of binding…everything added just a liiiiitle bit more bulk. I swear my little Janome whimpered when I approached her with these…The Refashioners 2106 - MeThe Refashioners 2106 - Me

Basting the sleeve in place was a must. Luckily I had removed a great deal of ease from the sleeve cap so easing the sleeve head in was relatively trouble free.

And ta dah!  They were in! I basically had my coat!The Refashioners 2106 - MeThe Refashioners 2106 - Me

 

Of course a coat needs pockets. What I really wanted was a nice clean welt or inseam pocket that wouldn’t visually disrupt the quiltiing lines of the bottom section. But I had to compromise here. The fabric was just too thick for the turning required for that kind of pocket. So patch it would have to be.

I played with a couple of ideas. The one below was what I wanted. The angled pocket opening echoes the same angle as the yoke, and the curved corner echoes the curve of the hem…(see….told you I was getting obsessed with symmetry)The Refashioners 2106 - MeThe Refashioners 2106 - Me

Buuuut I didn’t have enough fabric left for that (of course not. That would be too helpful, lol!) so I squeezed what I could out of the leftovers of the bell bottom jeans. My plan was to quilt them so that the quilt lines matched the ones on the coat itself. Blending the pockets visually with the coat. But I was worried about adding more bulk and used only a thin layer of batting on the pockets so it didn’t work out. The pockets are actually the only part of this coat that niggle me a little. But you gotta have pockets on a winter coat, right?

Last, but definitely not least is the 28″ chunky gold zip that finishes this make off. Basted then rebasted in place to ensure that when it’s zipped up, all those points at the yoke and hip line up perfectly…The Refashioners 2106 - MeThe Refashioners 2106 - Me

All the binding is single fold, in an effort to reduce bulk, and edge stitched in place. So there’s a very slight raw edge finish to all the binding. Which actually I really like. I like all the contrasts of this make. The utility/worn feel of the denim, with the luxury feel of the lining and gold zip, and the precision of the quilting against the rawness of the denim edges. It’s a coat of contrasts. Of juxtaposition if you like. It’s a coat of many elements. It’s a coat of blood, sweat (literally) and stress.  It’s definitely one of a kind. And I absolutely love it and couldn’t be prouder. Even though it was a bitch to me at times I wholeheartedly forgive it. All I can say is…it better be a bloody cold winter this year after all this! 😉The Refashioners 2106 - Me

THE REFASHIONERS 2016 - ME (7)

THE REFASHIONERS 2016 - ME (7)THE REFASHIONERS 2016 - ME (7)THE REFASHIONERS 2016 - ME (7)

Turns out, this project, was the hardest, most stressful, and longest I have ever undertaken (largely because I am my own worst enemy and became somewhat obsessed and uncompromising). But it was also the most satisfying because, despite (or maybe because) of the challenges and the blood, sweat and near tears that went into this, (I didn’t quite cry, but “head in hands with bewildered look” became a firm favourite during this make.)  I persevered.  And eventually, I won.  And I’ve ended up with a garment  that I am SO proud of.  That I look at and think, I can’t believe I actually made that! You see, I think when we challenge and push ourselves, we find we are capable of much much more than we ever thought.

So, are you ready to challenge yourself too? This is me, signing off, pouring myself a stiff gin, and handing the baton to you guys for a month. Show us what you got people!!!

You can see all this month’s awesome inspiration posts here. And if you’re inspired to get your refashion on and enter the Community Challenge and be in with a chance of winning some epic prizes…DO IT! Deadline for entries is 30th Sept. Midnight GMT.

The Refashioners 2016 - Huge Prize Package

….I think you’ve got the idea now right? Essentially we want you to refashion some jeans! (You can find the full details/small print of the brief here). BUT, if you want to be in with a chance of winning one of these amazing prize packages you need to SHARE that refashion with us in one of the following ways:

  • On Instagram: Share a pic using the hashtags #therefashioners2016  and #jeanius
  • On Pinterest: There is a community board here where you can pin your makes. (You will need to request an invite to join)
  • On Facebook: There is a community board here where you can post your makes (You will need to request an invite to join)

Only entries shared via the above 3 methods will be entered into the competition. Closing date for entries is 30th September 2016 Midnight GMT. Good luck!!

DIY, Sewing, Tips and Tricks, Tutorials, Uncategorized

Top Tip: An easy way to store your sewing machine needles!

05/27/16

An easy way to store sewing machine needles

So having dealt with the issue of storing my hand sewing needles with my origami needle wrap (free pdf pattern here) my attention turned to my machine needles. Up until now I’ve had them stored in one of the drawers of my Ikea Moppe mini drawer unit. I think every craft space must have one of those right?

In any case, that storage method was certainly adequate. But for some reason it bugged me that I had to rummage around to find the needle pack I needed and couldn’t see at a glance when I was running low. So I’d occasionally go in search of a particular type of needle only to find I’d run out of that size/type. Not a massive issue as other needles will always do the job at a push. But I find my machine produces a better stitch when it has the right needle for the right job…An easy way to store sewing machine needles

I had just restocked all my machine needles. So it seemed a good time to sort out an improved storage solution for them. As it happened, I’d been on a bit of a purge/sort out mission all week. Among the things I’d  donated  to the charity shop was an old organiser/ring binder; (like a cheap filofax thing) but I’d kept back the plastic inserts above. They had multiple sections for business/credit cards and it occurred to me they were the perfect size  for machine needle packs!

An easy way to store sewing machine needles

So I simply cut them into separate pieces…

An easy way to store sewing machine needles

Hole punched each corner…

An easy way to store sewing machine needles

Then whacked in a split ring with a lobster clasp connected.

An easy way to store sewing machine needles

So every needle pack now has it’s own little see through pouch. So I can find the one I need quickly and easily and see at a glance if I’m running low etc…

An easy way to store sewing machine needles

And the whole thing hangs right next to where I sit at the sewing machine for easy access and makes the little organisational addict in me smile inside, lol!

An easy way to store sewing machine needles

There!! Much better than having them bundled in a drawer or strewn across my worktop!

How do you store yours? Any other nifty storage tricks you use in your sewing space?

finished garments, Sewing, Uncategorized

FO: Denim Kimono (+ maybe a future pattern?)

05/18/16

So one of the first gaps I noticed in my wardrobe a few days into Me Made May was a Spring jacket that went with everything. When it comes to a versatile little jacket that goes with everything then denim jackets are a classic. However, a classic denim jacket is not quite my style. So I decided to have a play and come up with a slightly different take on the wardrobe staple that is the denim jacket, but a little more aligned with my personal style. And I have to say, this hasn’t been off my back since I finished it!

Enter the denim kimono jacket…denim kimono diy (2)

So we all know I love a kimono as evidenced here, here and here 😉  Originally this was going to be a longer length. But during construction I tweaked and played with the proportions and decided that actually, the cropped proportions of the body and sleeves were exactly what I needed to complement the looser trousers and shorter tops I’m wearing most at the moment. And indeed more of a reference to the proportions of the classic denim jacket that was my starting point….denim kimono diy (7)

There are some fit issues at the back that I need to address. I ended up taking a big tuck out of the CB to get it to hang the way I wanted. The back neckline needs to come in closer to the neck so the kimono band sits a little snugger to the neck, (which will involve a little shaping to the band itself too). Then there’s the width across the back at armhole level. Excess fabric there so I need to have a play with the sleeve and armhole configuration and remove a little of that. BUT, that said, for something that started out as an experiment I am MORE than happy with how this turned out. It’s kinda my perfect jacket! And none of the above is going to stop me from wearing this all Summer. They’re issues that only us sewists would notice. (Although I can’t help myself pointing them out to everyone that says they like my jacket. Sewist or not, lol!)

I wanted to reference the classic denim jacket a little further by adding little details like contrast stitching and jeans hardware…denim kimono diy (8)

Which brings me onto a close up of those pockets. The long rectangular shape was initially to do with what I felt best fit the overall proportions of the jacket. Then it occurred to me that they were almost identical in size and shape to my my mobile phone!! Which of course I have on me at ALL times because I am addicted. So naturally, they are now sized perfectly to accommodate my Samsung Galaxy, ha ha! Well…what is designing your own clothes about if you can’t add in little details like that to perfectly suit your needs ;) (And no, as someone asked me on IG, I don’t have two mobile phones. But one pocket would’ve just looked weird 😉 )denim kimono diy (1)

My other favourite detail on this make are the split cuffs. They echo the kimono band on the jacket opening and kinda unify the style I think…denim kimono diy (9)

The fabric is this denim from Remnant Kings, who incidentally are celebrating their 70th anniversary this week! So basically, they were around the last time that sewing was this popular, and they rode out the dry spell of the intervening years between then and now. Which to me is pretty darn impressive. So I’m taking this opportunity to wish them a very warm and heartfelt Happy Anniversary and a thank you for the way they continue to support this blog 🙂 Mwah to Hazel and the team there!

 

Now, onto the (hopefully intriguing) subtitle of this post! I’ve had a few people on social media ask if I am thinking of releasing this (and previous self drafted makes) as a pdf pattern. Well….there’s a short answer and a long answer. And being of a slightly verbose disposition I will give you the longish answer! And also because I am AWFUL at keeping secrets, and now that the question has arisen, yes. I HAVE, behind the scenes been working towards the goal of developing a line of sewing pattern designs under the “Makery” brand. And yes, this jacket has now been added to the list of patterns that I want to develop further. There is alot more that I could say on this subject, but that’s kind of another blog post. Which I will write in due course. Suffice to say for now, in all likelihood, I will be releasing a line of sewing patterns in the near (ish) future. But as this is a new avenue for me, with lots to learn, explore and consider, I can’t yet say exactly when that will be. I have not yet figured out how long the process will take.  But essentially I’m gradually building up a stack of “personal” patterns that I think will appeal to some of you out there. It feels like a natural progression for me now, to start working towards the goal of refining and making these available online. So yep. There’s my little bit of news. Watch this space over the coming weeks 😉

 

DIY, how to, Sewing, Tutorials

DIY: Origami Needle Wrap (+ free pdf pattern)

05/11/16

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

Sometimes I need a break from sewing and just need to get my craft on! For ages my sewing needles have been scattered about between my pin dish and various other little pots and drawers; and I could never find the needle that I wanted, when I wanted it. And so…this little leather origami needle wrap was born…ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

The origami needle wrap features  a simple envelope shape, with a wrap around magnetic closure. The whole thing opens out to lay flat on your work surface and 3 separate felt inserts allow you to organise needles by type/size etc. It’s super simple to make and you can download the free pattern at the end of this post if you want to make one of your very own 🙂ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

I made mine from 1mm natural leather. I got the whole thing out of a 20cm  x  20cm square purchased on ebay here. I used 1mm wool felt for the inside. Also purchased on ebay here. Magnets used here are strong neodymium disc magnets that I had left over from my air dry clay fridge magnets and are available here. ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

First step is to cut out and trace the template onto the leather. I used a Frixon pen for this, as the marks can be removed later simply by applying heat from an iron (through a pressing cloth as opposed to directly onto the leather)…I use these quite alot directly onto fabric when I’m sewing too. Awesome pens!ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

To mark the position of the slit opening for the strap, I simply used the tip of my seam ripper to make an indentation through the paper pattern and onto the leather…ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

Cut the whole thing out carefully…

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

Then using a scalpel cut the slit opening as indicated on the pattern. Note the pen marks that are currently still visible…

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

…and after the application of a little heat, magically vanished!!

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

The wrap is then assembled as above. The strap slides through the little slit from the RS. Magnets are super glued in place. Make sure before you stick the magnets down that they are the right way up. If you stick them the wrong way, the closure magnets will repel away from eachother as opposed to fastening.  The placement marks on the pattern are right for the materials that I used. But different materials will have a different “turn of cloth” value (they will fold slightly differenly) which may subtly affect the placement of the fasteners. Tape the whole arrangement above in place, and just test it all wraps up and closes to your satisfaction before you commit to gluing the magnets in place and securing all the element permanently. ( I use magic tape as there isn’t the sticky residue that you get with sellotape)

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

The strap is stitched in place from the outside, and there is a dotted line on the pattern piece for the strap that lines up with the slit to help you get it in the right position. (if you sink it too far in to the slit, it will effectively reduce the length of the strap which then won’t wrap around fully).

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

Cut and stick in the felt (magnet is now nicely covered!) I used bondaweb for neatness , but glue/spray adhesive should be fine too; as long as it doesn’t soak the felt too much or seep out onto the leather around the edges

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

Add your needles and stand back and admire!

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

I really am a little in love with the neatness and simplicity of this shape…

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

The absence of any visible closures adds to the clean lines 🙂

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

The pattern is available, free to download, here and conveniently prints onto just one sheet of A4.  I’d love to hear from you if you make one so do let me know in the comments, or tag me @portialawrie over on Instagram so I can see!

ORIGAMI NEEDLECASE - FREE PDF PATTERN FROM MAKERY.CO.UK

Enjoy your new “luxe” needle wrap!!

 

finished garments, Sewing, Uncategorized

FO: Ponte Linden (+ thoughts on achieveing the perfect knit neckband!)

05/03/16

Well what do you know? The sun was shining on Sunday (as it is today, hurrah!!) so I ducked out to get a few daylight shots of this new Linden…I’ll preface this post by warning you that I meander into alot of theorising and calculating the length of the perfect neckband based on the stretch percentage of the fabric you use. So if that is likely to make your eyes roll back in your head….look away now, lol!ponte linden

I cut down a size this time round and went for view B. The fit across the upper bust, neckline and shoulders turned out way better. I haven’t quite fathomed why there is so much excess at the hem and under the bust. Although to be fair I haven’t given it a great deal of thought because I’m not overly bothered. I suspect it’s a combination of the need for an FBA and perhaps that the ponte that I used has more drape (and stretch, which I’ll come to in a bit!) than the recommended sweatshirt fabric. No matter. I still love it and it’s worn as soon as it comes out of the drier. (Also, the folds are nowhere near as exaggerated IRL. I think perhaps the photo being taken in full sun ramped up the shadow and contrast somewhat!)

ponte linden

So…the fabric!  It’s this beauuuuutiful ponte from Dragonfly fabrics in the Bark colourway. Now on special so probably won’t be around for long!. So.Freakin.Soft.  What’s more, I was really taken with the contrasting RS and WS of this fabric and decided to play with that on this make…

ponte linden

Construction was as per pattern instructions…except as I said, I reversed the fabric on the front and back pieces so the body contrasted with the sleeves…

ponte linden

Oh…and  I added a split hem band similar to my Maya top here…

ponte linden

Regular readers will perhaps remember that I raised the neckline on my Linden pattern as it sat a little too wide on me. You can read the simple “how to” on that adjustment here. But of course, adjusting the width of the neckline means you need to cut a new neckband piece because the circumference of the neckline has changed. As luck would have it the width of the pattern piece for the neckline band is more or less the same as my 2″ wide roll of masking tape. And you know how I love a bit of a masking tape cheat, lol!

So….all that remained was for me to establish the new circumference of the neckline and cut a new neckband piece to fit. Up until this point I’ve always just cut a neckband approx 2″ smaller than the circumference of the neckline. To varying degrees of success. Sometimes that would work pretty well. Sometimes not. So I decided to delve a little into the maths of the perfect knit neckline. Somewhere, and for the life of me I can’t find that post no, (**update: it’s here! Thanks Gillian!) I read about a slightly different way of measuring the neckline for a knit….ponte linden

Instead of measuring the circumference, you take the total measurement between those 3 points above….and cut the neckband to that size. This made good sense to me so I though I’d give it a go. To give you an idea, the neckline circumference was 61cm. Measuring between those 3 points gave me a measurement of 52.5cm. So a difference of 8.5cm which is a little over 3″ shorter than the actual neckline (I usually cut about 2″ shorter so I was optimistic that shortening the band by that extra inch would yield an improvement)…

ponte linden

So….with my trusty roll of masking tape I marked out a strip 52.5cm long on my fabric (plus a small serger SA)…

ponte linden

Joined it, folded it, then marked the centre and side points…

ponte linden

And lined those up with the corresponding CF/CB and shoulder points on my neckline. So you can see the theory in practice here. The band should stretch to fill in those gaps and therefore turn the neckline in, so it lays flat once sewn. Awesome.

ponte linden

Now, it actually yielded a pretty good neckline! It lays perfectly in the front, but is a teeny bit baggy in the back neckline. Meaning the neckband was probably, among other things, still slightly too long. But seriously it’s miniscule, and doesn’t really  warrant the geek out I’m about to embark on. But sometimes I just fall down a geeky rabbit hole and need to get it straight in my head. So…..I started ruminating on how I needed to tweak my technique and play with the math to establish the correct length of the neckband. I think I made an error on 2 fronts….

ponte linden (6)a

Referring back to that picture of my neckline I’ve now marked in those 3 points as A, B, and C. Now, when I marked the alignment points on the neckline band I just defaulted to CB/CF and crucially, put my shoulder alignment marks midway between those two points. But , (and this is where I think I went wrong) the distance from shoulder point to shoulder point, is different across the back neckline (A to B), than it is at the front neckline (A to C to B). So actually it’s not an even distribution of the neckband around the neckline, but a proportional one….

ponte linden (10)a

So what I’m thinking I should have done (and I’d like to hear your thoughts on this peops), is measure from A to B, and mark my shoulder points along the back neckline according to that measurement. However, moving those points back will mean more neckband length needs to be absorbed into the front neckline. And well….that’s no good because at the moment it’s sitting perfectly. Gah! Which means, actually it’s still too long. Which brings me onto the dreaded stretch percentage…

I actually don’t think there is a hard and fast formula/rule that will work on every project I suspect it’s a combination of factors….and stretch percentage HAS to be factored in. So I needed to work that out in order to try and reverse calculate what my perfect neckband length should have been, with stretch percentage taken into account…ponte linden

What you’re looking at here is my metre rule, laid flat on my cutting table and butted up against a wall so it won’t go anywhere. A folded band of my fabric bulldog clipped to the end of my ruler.

ponte linden

I take hold of the fabric with my thumbnail at the 10cm mark…

ponte linden

Then stretch it along the ruler until I feel it reaching the limits of it’s stretch capacity, and note the number my thumbnail reaches. 15 in this case.

So, to calculate stretch percentage it’s the second measurement (15) divided by the first (10) then minus 1. Which in this instance is 0.5. Which means this fabric has a stretch percentage of 50%.

Now, here’s my theory, that I intend to test out on my next neckline. And again, I’d love your thoughts on this. Using the “triangle measurement” method I cut my neckband at 52.5cm. (Apologies for flitting between metric and imperial peops!) The actual circumference of my neckline was 61 cm. Same calculation as above  (61/52.5)-1= 0.16.  So the neckband that I’m attaching is stretching by 16% to get round the circumference of the neckline.  For a fabric with 50% stretch, that’s less than half the potential stretch available to me on this particular neckline. Now I know, from how the neckband turned out that it’s not quite stretching enough to lay completely flat all the way around.  Which means I’m close, but not quite close enough.

So how about this….if I theorise/guestimate that I want to use half of the stretch percentage available to me, (to get a balance between stretching but not over stretching my neckband), then I would need this band to stretch by 25%….and therefore be 25% smaller than my neckline. So….if I take my original neckline circumference of 61cm and reduce that by 25% as follows 61 x 0.25 = 15.25 then 61 – 15.25 = 45.75cm.

So, if I had cut my neckline at 45.75 cm instead of 52.5cm….would it have laid flat all the way round?  It’s a difference of 6″ to the neckline circumference so it sounds extreme. Hmm…not sure about that one. 6″ seems alot doesn’t it? 3″ shorter than I actually cut it. The finished neckline wasn’t THAT far wrong. Perhaps I should strike the middle ground between the 16% difference the “triangle method” gave me and the 25% figure and opt for a neckband 20% shorter than the neckband circumference. That would make my neckband 4.8″ shorter than my neckline. 1.8″ shorter than I actually cut it. That sounds more feasible to me. Knowing how the back neckline turned out that 1.8″ less in the neckband would probably have done it

In any case, I’m beginning to conclude that using the triangle method of measuring the neckline will get me in the right ball park; but that needs to be counter checked with the stretch percentage of the fabric I’m using. This COULD be the key to getting the right neckband ratio for any given project. (I don’t think it’s as simple as just cutting the neckband 3″ shorter than the neckline every time, when you take into account that some fabrics will need to stretch more in order to sit flat.)  I’m leaning towards calculating the stretch percentage of the fabric, then using somewhere between a third to a half of the stretch potential of the fabric, (so basically 2/5) to calculate the neckband length, based on the neckline circumference. Clear as mud right, lol?!

What say you?? Does the above make sense? Are any of my calculations off? (I’m no maths genius, lol!) Do you have your own method??? Share away peops. Let’s geek out together!

 

DIY, how to, Sewing, Tutorials

Pattern Hack: Maya Summer Sweatshirt Experiment

04/21/16

I’ve been playing a bit with ponte recently. I’m not ready to ditch warm sweatshirts just yet but hopefully I’ll be needing some lighter weight transitional ones in the coming weeks. (Although at the moment it’s still coat weather here!!) And to my mind ponte is perfect for that. Midway between a sweatshirt and a tee. I literally LOVE this blushy beige ponte from Fabric Godmother. (It’s actually down as Roma Jersey. Feels very ponte to me. Is there a difference people? Do tell!)) I had visions of a simple silhouette with some subtle detailing…maya summer sweatshirt hack (1)

I opted to play with my tnt Maya pattern by Marilla Walker. Ignore the fact that it looks like I cut it massively longer than the pattern. I didn’t. I’ve just hacked my Maya pattern pieces down really short so I can play with different lengths and hem finishes on the fly. It’s not precise this playing malarkey. If it helps you to gauge, I’ve cut to just above hip length in the pic above…

maya summer sweatshirt hack (2)

I’ve been slightly obsessing over darts and seaming. Not just in terms of poviding shaping but as a way of providing interest to plain fabrics too. And since my make for the BV Sewalong showed me that a darted top could give me a better (on me) version of the boxy style tops I love….I thought I’d give it a go on this make. So I made up the maya as per usual….then pinned out some angled darts from the waist either side of the CF…

maya summer sweatshirt hack (3)

Then cut and joined a wide strip the same circumference as the hem. (Look at the colour of that fabric people. LOVE!)

maya summer sweatshirt hack (4)

Folded the band in half, pinned, then serged to the hem.

maya summer sweatshirt hack (5)

Same process but with shorter bands (obvs) for the cuffs…

maya summer sweatshirt hack (6)

Et voila! A short sleeve summer Maya sweatshirt! The darts are my absolute favourite part of this experiment. I love the subtle shaping they give and the interest they add. Apart from my usual hatred of self photography, there is a reason you’re not seeing a shot of me wearing this. I messed up with my proportions a little and it’s just a little too big currently. I’m also not sure about the cuffs on me.  It’s in the queue at my overlocker to be adjusted. But I wanted to share it with you. If you wanted a sweatshirt with a little more shaping….give ponte and darts a go!

 

finished garments, Sewing, Uncategorized

FO: Burda 102 “Short Coat”

03/18/16

Whilst I was making this coat I started to worry that by the time I finished it, the weather would have warmed up, and I wouldn’t need to wear it. Most people would make a coat at the start of the winter. Nah! I’m gonna make my coat at the end of the winter and then not be able to wear it! Well I needn’t have worried. The weather remains resolutely chilly, with blustery, bitingly cold winds. Perfect!burda 102 short coat

I could have made this coat months ago. I had the fabric. A beautiful mouflon felt wool from Dragonfly fabrics, like, 4 months ago. Truth be told, the delay was in no small way, down to the fabric being so lush that I was a tad intimidated about cutting into it until I had it clear in my head exactly what I was going  to do with it. I originally had loose plans for a self drafted kimono style coat with big cuffs. And actually that would have been easy enough to do. But the fear got me! I’d never made a lined coat before. (I’ll come onto the delicious lining in a bit!). I knew the lining and shell fabric combo I’d selected had the potential to be super lovely. And I didn’t want to squander that on an experiment. So I played it safe and opted to use a pattern. Enter the snappily titled “Three Quarter Sleeve Coat 08/2014 #102” from Burda. Originally from a 2014 issue of the magazine I believe, but now available in pdf format…burda 102 short coat

I really liked the simplicity of the design and it was very similar to a raft of coat images I’d been pinning for inspiration. The proportions were fun too. Huge oversized pockets and 3/4 length bell sleeves. It’s just about the right side of oversized for me, without feeling like I’m drowning in coat…burda 102 short coat

And yeah…I lined this puppy, and I did a pretty good job!!

So here it is in close up…burda short coat 102

The neckline was one of the things that appealed to me about this coat.  I don’t like fussy collars. And this is the perfect shape to wear as is, or pop a cowl over the top on super cold days without it getting all caught up on a collar. This part did require a little fitting. There was some annoying gaping at the back neckline, which I resolved by adding 2 x 1″  neck darts (about 4″ long) either side of the CB on the shell, then taking the equivalent amount out of the back neck facing at the CB.

I also really liked the clean finish on the outside….

burda short coat 102

Achieved by virtue of these giant snaps in a gunmetal grey!  Not visible when the coat is done up. This is a good time to mention the front overlap on this pattern. I took an inch off the entire length of the opening on either side. The overlap was mightily excessive in my view and I could probably still have gotten away with  a bit more; and shaving that much off also takes the proportions down a notch; as this pattern has much roomier proportions than the photo on the site might suggest. It looks much neater and more compact in the pattern image than it is in reality. burda short coat 102

It’s fine, because I love my new coat! But I had to make a few tweaks to get it there, ya know? The original “straight from the pattern” coat swamped me and I am by no means tiny. The fit in the armhole was right so I knew it wasn’t just a case of cutting it too big. Apart from the fit adjustments at the neck and overlap I also shaved a good 4″ off the length.

burda short coat 102

So the snaps  I used in the end are these gunmetal grey ones. Purchased on Ebay at £5.50 for 10. Which is pretty good value I think.  At 25mm in diameter they are a decent size and fit well with the colour and oversized proportions of the coat. Originally I really, really, REALLY wanted to use these larger poppers (below left and at the back in the image above). At 30mm they are roughly the size of a 50p coin and would have looked crazy in a good way. Sadly for the colour of the coat they just looked a little too shiny and contrasty and I couldn’t get that size in the gunmetal or black. But I’m sure I’ll use them at some point!burda short coat 102

Talking of oversized! Another favourite feature of this coat for me are the huuuuuuge pockets! I didn’t face these as the pattern called for. Nor did I turn the edges under. Reasoning that my machine may struggle with the bulk and that this was a felt wool so wouldn’t fray. So I simply top stitched my pocket in place like so…burda short coat 102

I juuuuust about got away with this. Despite the name of this fabric it’s not quite like felt in the fraying stakes. There is a slight tendency for fraying. You can just about see some “whiskers” at the base of my pocket. Call me weird but this doesn’t bother me one jot. It’s not the kind of fraying that is going to affect the integrity of your seams, I trimmed away the worst offenders and I am a fan of slightly “unfinished” finishes. So I’m good. But worth a mention. Also worth a mention is the pocket placement on the pattern. Just ignore it! It’s waaaaay to low! I placed mine according to where my sleeve finished with my arms at my side; so that the pockets take up the slack of the shorter sleeves and keep my wrists warm!

Also a good opportunity, with this picture and the one above, to talk about the surface texture of this fabric. One side is felt like and softly bristled. The other side (which I think is technically the wrong side, lol) is super hairy and kinda like a sparse mohair, and that is the side that I used. Just because! I figure if it’s already fluffy, then any fluff it picks up will just look like it was meant to be there, right? In any case….look at that texture. Love!

burda short coat 102

So also featured above is a close up of the seaming detail at the neck/shoulder which is another nice feature of this pattern. The shoulder and sleeves are split up into sections and seamed together which gives an interesting point of interest to an otherwise plain coat. I topstitched either side of all of those seams to accentuate and bring them out even more.

In terms of pressing this wool. Some steam and a satisfying “thwack” with a chunky wooden object will give you a satisfactorily crisp edge 😉burda short coat 102

As can be seen below. The bulkiest part where the facing meets the hem and the lining….just gave that a ruddy good bashing and the job was a goodun…burda short coat 102

Which of course brings me nicely onto the lining and how beautifully it goes with the mouflon wool!

burda short coat 102

It’s this dotty black and grey viscose lining from The Splendid Stitch. What I love about it, apart from how silky it feels, is the fact that the dots are random and irregularly placed and shaped. Which lends a kind of cheeky rebelliousness to a traditionally  girly fabric….burda short coat 102

If we can all take a moment to admire that sheen….and that well inserted lining….and the fact that I even took the time to purchase and sew on a hanging loop…

 

Which might lead you to conclude that I consider this coat to be a success and a keeper…burda 102 short coat

burda 102 short coat

Well, you’d be right! And just for the record when it comes to these photos…I did brush my hair before I left the house….it was just really, REALLY windy that day. But that’s ok. Cos mama’s got a brand new coat 😉

DIY, how to, pattern adjustments, Pattern Drafting, Sewing, Tutorials, Uncategorized

The Copycat Crepe Top – (Part 3) – Grading the sewing pattern down (or up!) a size

02/28/16

Ok, so following on from Part 1 & Part 2 of The Copycat Crepe top my final step was to take the pattern that I had copied from the original RTW garment and size it down. This is a first for me. I had never graded a pattern before. But thanks to this great tutorial from Melly Sews (There was also one from Burda that I now can’t find, aaaargh!) I was able to figure it out. I thoroughly recommend hopping over to that tute as well, if this is something you are planning to try!

So here is where I was at….MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

MAKING A SEWING PATTERN FROM AN EXISTING GARMENTI had made my pattern and tested it with a toile; and in every way in terms of how it hung/fit on me it was pretty much identical to the original top. So I was feeling pretty chuffed with myself! (First time I had made a pattern from a rtw garment too!). Including the fact that it was too big. Probably by about 1-2 sizes was my best guess. The label had been removed so I don’t know the original size.  Based on how the top fit me I reasoned that the difference between the bust size of the top and my own bust size, was about 3″.  That is therefore, how much I wanted to reduce the pattern by across both the front and back pattern pieces. (Known as the “total grade”).

All the advice out there btw, asserts that 1-2 sizes (around 2″) is about the maximum you want to grade a pattern up or down by, in one pass. The reason being that the pattern begins to get increasingly distorted the more you grade by. If you want to grade a pattern by substantially more than that, then it’s best to do it in stages. Grade by 2″ make a totally new pattern, then grade that one by 2″. Obviously I haven’t done that. I’ve graded by 3″. Because I’m naughty like that.

This method involves slashing the pattern pieces along various lines, and overlapping them. Thus making the pieces incrementally smaller. (The exact same process applies for making it bigger, except you spread instead of overlap) The total grade amount (3″ in my case) is split up evenly between the front and back pattern pieces, and then again between multiple lines on those pattern pieces. So each individual overlap is relatively small, but added together they all add up to 3″. (The sleeve is addressed separately after grading the main pattern pieces).

Right, so seeing as this requires me to slice up my pattern pieces, the last thing I wanted to do was mess up the pattern I had so painstakingly created. So my first step was to trace off copies of all the pattern pieces….(then if I fluffed this I was still ok!)GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Next I drew in my “slash” lines. The process is the same for the front and back pattern pieces here. It’s a simple dartless top so nothing to complicate things thank goodness. You can see 3 vertical lines here. (Yep, they’re double lines but I’ll get to that in a moment. For now lets just call it 3 places on the pattern where I’ve drawn vertical lines, lol!). And one horizontal line. All of the vertical lines are parallel with the CB/CF lines . The horizontal line is perpendicular (90 degrees) to the CB/CF line….GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Line 1: straight down from the neckline. Line 2: Straight down from the shoulder. Line 3: straight down from the armhole.  Reasonably, when you consider a multi size pattern, then the neckline, shoulder and armhole will differ proportionately between sizes in those areas. So it makes sense to put the adjustment/slash lines in those positions. The horizontal line is roughly at the waist. A pattern will not change in length between sizes, as much as it does in width. So the adjustment here is small, and it seems from everything I’ve read, a standard 3/8″ between sizes. **(see note further down. I did end up putting a second horizontal slash line across the armscye. It may even be preferable to add a third horizontal slash at the shoulder and spread your 3/8″ between them)

OK. So a little math before we go any further. My total grade (the total amount I want to reduce the garment by) is 3″. I’m going to switch to cm here as it gets a little tricky to show the math in inches! So 3″  converts to roughly 7.6cm

I want to split that between two areas. The front & back of the garment. 7.6cm divided by 2 = 3.8cm. So I want to remove 3.8cm from the back of the garment, and 3.8cm from the front.

My pattern pieces represent half the back of the garment and half the front of the garment. So I need to split that measurement in half again. 3.8cm divided by 2 = 1.9cm.  So I want to remove 1.9cm from the back pattern piece, and 1.9cm from the front pattern piece. For the sake of simplicity, what’s 1mm between friends (at least on a loose fitting garment like this)? I’m going to call that 2cm. Just because that’s easier to work with without me losing the will to live!

So now I want to take that 2cm and divide it between my 3 vertical lines.  But hold your horses! It seems that it’s not quite as straightforward as dividing it by 3.  It’s never THAT simple, lol! But…it does make sense. From what I gather from the reading I have done, the change between sizes doesn’t happen equally in those 3 areas. (The vertical line’s I’ve drawn will directly affect the neckline, shoulder and armhole width). The greatest proportion of the change between sizes happens nearest the side seams and that vertical line at the armhole. With a slightly smaller change to the neckline and shoulder….GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

So, with that in mind I took 1cm from the slash line at the armhole. Then 0.5cm each from the slash lines at the shoulder and neckline…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

My lines here are double. The first line on the left is the one I plan to cut. The second line is drawn to show where I want to butt the cut edge up to when I overlap; the distance between those two lines is the amount I want to grade by in that section.

In the picture below I’ve marked my cutting lines with an x…and marked the distance between the two lines. Essentially I’ll be removing the sections between those two lines…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

The double dashed lines above are balance marks. They should be perpendicular to my slash lines and drawn with a ruler. I was being a bit slapdash there, sorry! The purpose of them is to provide alignment marks once the piece is slashed. What we don’t want to do is accidentally shift the pattern pieces up or down when we overlap/realign them as this will distort the pattern. Horizontal balance marks serve as a guide to line everything up again…

As does the horizontal slash line at the waist line…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

So with all of that in place I took a deep breath and sliced up my pattern along my 3 vertical cutting lines…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Then overlapped the cut edge up to the second line that I had drawn and stuck in place. You can clearly see why hastily drawn angled balance marks don’t entirely work, lol! The must be straight and at 90 degrees to your vertical line to be effective. Luckily that horizontal line at the waistline served as a very effective balance mark and by aligning that, I made sure the pieces didn’t shift up or down as I overlapped them…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

On both the front and back pieces….I overlapped all 3 vertical slashes by the amount that I’d marked. (0.5cm  + 0.5cm  + 1cm  = 2cm.)  The horizontal line at the waist is overlapped by 3/8″. Again, from all my reading it seems that this is a standard in pattern grading. For each size you go down (or up) the length is reduced (or increased) by a standard 3/8″. **(I did go back and put a second horizontal slash line extending from the CB/CF line through the armscye and overlapped that by a further 1/8″.  I should probably have done this from the outset plus another horizontal line at the shoulder for good measure. Both those additional horizontal lines  serve to reduce the height of the armscye which seems to me a sensible thing to do as this is something that does change between sizes. As it is mine worked out fine. But…just sayin….).GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Overlapping will leave areas like the shoulder…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

The armscye…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

And the hem… GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

…with areas that need smoothing out.

I tend to make a little “extension” in the area I want to redraw by sandwiching the paper pattern between two layers of masking tape…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

….and drawing my new line onto the masking tape. If you look carefully you can see the pattern through the masking tape in these pics…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Then simply cut away the excces along the new line…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Same on the neckline and shoulder and hem…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

When it comes to grading the sleeve pattern, it’s all about establishing the total amount that you have removed from both the front and back armholes, and removing the same amount from the sleeve pattern…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

Mine was 1cm from the vertical slash at the armhole on both the front and back pattern pieces. So 2cm in total. Then I took a further 1/8″ across a horizontal slash on both the front and back pattern pieces. So another 2/8″ there. Of course it’s just like me to mix up my metric and imperial as if things aren’t confusing enough, lol!!GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

After a bit of conversion and rounding I calculated I wanted to remove a total of 1″ from the sleeve pattern piece so it matched what I had done to the armholes when I graded them.

The sleeve pattern I slashed with 3 vertical and 1 horizontal line. I spread that 1″ total grade as follows: 3/8″ at the left and right vertical lines. Then 1/8″ each at the centre vertical and 1/8″ at the horizontal line. (You can also see I drew my balance marks properly this time, lol!) Then smoothed out my lines as above….and I was done…GRADING A SEWING PATTERN DOWN - OR UP - A SIZE

I don’t think I did everything technically perfectly here. Namely the number of horizontal slash lines I started with. But hey…it all worked out…and it WORKED! So as my first attempt at grading…I’m pretty chuffed. And it’s nowhere near as difficult or scary as I thought. Being able to grade up or down a size opens up a whole host of options….THE COPYCAT CREPE TOP

…I’m intrigued to learn more!

Don’t forget the Copycat Crepe  Top giveaway with The Splendid Stitch here! Closes tomorrow!!!

DIY, how to, Pattern Drafting, Sewing, Tips and Tricks, Tutorials, Uncategorized

The Copycat Crepe Top – (Part 2) – Making a pattern from an existing garment

02/23/16

Following on from Friday’s post (don’t forget to enter the giveaway on that one btw!) today I’m going to show you what I did to create a sewing pattern from this here rtw top…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

The method I used involves completely deconstructing the original top. If this is something you absolutely don’t want to do then you could try the “rub off” technique. Not a method I’ve tried yet. But the rub off technique has the benefit of leaving your original garment intact. This method though, enables you to seperate the original pattern pieces and have everything lay flat. Thus enabling easier/more accurate tracing and measuring.  In this instance the top I started with cost me £2 from a charity shop (So I’m not gonna be out of pocket financially here) It was 1-2 sizes too big (label had been removed so not entirely sure but I couldn’t have worn it the way it was). I didn’t like the colour on me (judging by the feel of the fabric there was a high level of synthetic content so dyeing  wasn’t really an option) and there was a stain right in the front. So all in I was happy to slice this one up and make a pattern from it from which I could make multiples of the same design.

The process of deconstructing a garment is such a useful one in terms of learning about construction order and construction techniques. Since rtw garment manufacture will often use more time efficient methods than home sewing patterns, it’s a great opportunity to have a delve and learn a few things that you may be able to apply to future makes. I seam ripped this top in a couple of hours one evening while I was watching Netflix. As I went I noted the order in which I deconstructed the top. (Essentially working backwards from the original construction). When I finished, I simply reversed my deconstruction list to give me my construction order for remaking the top! Make sense? The way the inside seams lay on top of eachother will tell you the order in which they were sewn. It was during this process that I noticed that the underarm and side seams had been sewn after the sleeves had been inserted flat. Prompting me to try this on my first toile and leading to much happy clapping and squealing in shedquarters when I finally achieved the perfect sleeve head! Even if this top hadn’t worked out, that would have been enough of a pay off from this process, for me!MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Deconstructing left me with these 4 pieces. (Front, back and 2 sleeves). I removed/seam ripped all  of the stitching, taking care not to disrupt any of the raw edges or stretch the fabric around the curves as this would disrupt the shape of the pieces and I want to trace them as closely as possible to what they would have been originally. I also marked the back and front of one of the sleeves. Once they’re laid flat it’s easy to lose track of which side is which and this is of course, an important piece of info in achieving smooth sleeve insertion on the final top! You’ll also notice the folds along the edges where the original seam line was.  Again…important info to have going forward as the amount of seam allowance the top is to be sewn with will impact on the final fit…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Before tracing, press all the pieces flat. (You’ll only need to press one of the sleeves obvs). Being careful not to stretch the fabric as you press. The key thing here is we’re pressing (lift, press, lift, press)….not ironing (moving the iron across the fabric in one continuous motion whilst applying pressure)…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

The next step is to split the front and back of the top in half to give the familiar 1/4 pattern piece.  (Below is my front piece). To do this I folded the piece in half lengthwise and  meticulously lined up the neckline, shoulder, armscye and side seams right on top of eachother; and pinned in place…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

 

MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

This essentially gives me a long straight edge that will become my CF seam. I pressed a sharp crease along that edge then opened it all out again….MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

It gave me a super clear and straight cutting line so that I could accurately split the piece in half…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

 

MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Retain one of those to use as a template. Discard the other. Repeat for the back piece. (nb: my back piece was a little tricky as it had a zip installed so I pinned it as I did the front and pressed the CB as far as I could. But ommitted this “cutting up the center” step and skipped straight to tracing around the folded pattern piece).

Weight each piece down, smooth and flat, on top of tracing/pattern/wrapping/brown paper. (I’m working on my sleeve piece here) I didn’t use pins as they can disrupt the line around the edge of the fabric. Carefully trace around the perimeter of the pattern piece…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

I used a dotted line snugged right up against the edge of the fabric, taking care to draw in any corner points as accurately as possible…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

I was left with a dotted line, which I then carefully smoothed out using a French curve or ruler…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Checking things like seam junctions and corners were square and adjusting my pencil lines as needed…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Cut out. Add in those all important front/back sleeve head notches and centre notch….MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

The next measurement I needed was the amount of seam and hem allowances the top had been constructed with. Measuring from the edge with a seam gauge I established those measurements (they’ll vary across the pattern)…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

And marked them on my pattern piece along with the grainline and pattern details.  NB: The seam allowance on a deconstructed garment will be small as the “trim excess seam allowance” step has already been carried out during the manufacturing process. So further down the line you may want to increase the seam allowance on your pattern.MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Repeat for the front and back pattern pieces…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Once all the pattern pieces are cut out line up any seams that will meet, Shoulder seams, side seams, sleeve seams etc) overlapping seam allowances, and smooth out the edges…you can see that neckline curve below isn’t sitting flush and smooth…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

 

MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

Again, any seams that will be sewn together, line up the pattern pieces and snip little notches to give you alignment marks for the construction stage…MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

And that’s it. I marked all my pattern details onto each pattern piece including the words “First Draft” so if I ever needed to work back to a certain point  I’d know which pattern was which. Then I toiled it…and, well it worked! To the point that the size and the way it hung when worn was  identical to the way the original top fit me. So a win then!MAKING A SEWING PATTERN FROM AN EXISTING GARMENT

 

As I mentioned, the original top was too big and consequently, so was my copy top! So later this week I’ll share the process I followed to grade it down which incidentally, is the same process for sizing a pattern up, bar one detail. I’ll be back later in the week with that post.

But in the meantime, hop over to part one if you haven’t seen it already, for the finished top, and a chance to enter a fab giveaway from The Splendid Stitch

Dressmaking, finished garments, Sewing

The Copycat Crepe Top – (Part 1) + Giveaway!!!

02/19/16

copycat crepe top

So last week heralded a couple of firsts for me.  Actually three to be precise! A week of learning new stuff you could say. Which after a week of battling with fit issues was a welcome change.  Sometimes, if something is getting on your wick, you just gotta park it and switch focus to shake off the fog I think. A change is as good as a rest after all. And after a week of what felt like pulling teeth, the week I spent doing this, went so smoothly I started looking around behind me to see where the sewing demon was hiding. Wondering when it was going to jump out and fluff my make right at the eleventh hour. Said demon must be off in the Bahamas somewhere. (Shedquarters is obviously too cold for that fiery little devil at this time of year 😉  )  Because nothing went wrong on this make and there was so much that could have!

So now you’re possibly wondering what my 3 firsts were? Well this top is actually a direct copy of a top I found in a charity shop. I didn’t like the colour and it was 1-2 sizes too big. But I really liked the style.  A crepe tee with a relaxed fit , simple scoop neck, and shirt tail hem.  I hadn’t seen a pattern exactly like this, so I decided to make a pattern of my own, copying the pattern pieces directly from that ready to wear top on the left (below)  I toiled it (middle below) and what do ya know? It worked.  But, still too big. Then people, I was really pushing my luck. I decided I would have a go at grading my new pattern to the correct size. And blow me, that only went and worked too! (below right)THE COPYCAT CREPE TOP

So that’s two firsts. Producing an exact copy of a rtw top AND grading. I was going to include all of that process in today’s post but there turned out to be waaaaay too much for one post. So next week I’ll be sharing 2 additional posts. One on the copying of the pattern. (now available here) One on the grading of it… (now available here)THE COPYCAT CREPE TOP

And what of my third first this week? Set in sleeves! Of course I’ve sewn set in sleeves before; but I hate them with a passion and I’m pretty rubbish and impatient with the traditional method. So this week I tried the method of inserting them flat (turns out pretty much everyone I know already does this) and oh my! I could have cried with happiness! Look at that sleeve head people! Gorgeous right?! Never again will I avoid sewing stuff with set in sleeves just because it’s a faff! (Yes I am that lazy!)sleeve head

There’s still a few tweaks I think I need to make to the final pattern. Namely some discreet darts in the front,  and, surprise surprise, a sway back adjustment! But on a top like this, designed to be a relaxed, chilled out fit I was more than happy to make it up as is, in some delicious Isobel poly viscose crepe from The Splendid Stitch. As well as the black it’s currently also available in the three colours on the right. (I’m hoping Amy will expand her colour range on this one!) The cream best shows the gorgeous texture. It is SO soft. Super easy to work with. Drapes beautifully and best of all, straight out of the machine and onto the hanger with super minimal creasing. That my friends, is my holy grail of a fabric!Splendid Stitch Isobel Poly Viscose Crepe

 

Giveaway details: Amy from The Splendid Stitch is offering you guys the chance to win either £30 to spend on fabric from her beautiful range (first prize) or a sewing pattern of your choice (second prize). To enter follow The Splendid Stitch on Facebook, Twitter, Instagram or their blog. Each follow is an additional entry. Just leave me a comment here to let me know how many entries you made. Giveaway is open internationally (The Splendid Stitch is Glasgow based but ships worldwide) and closes midnight GMT on Monday 29th Feb. The winner will be selected at random and contacted directly by email. (Leave that in the comments too if it’s not easily accessible via your profile).

What’s more,  until the end of February, Amy is also offering you an extra 15% off your purchase when you enter the code PORTIA15 at checkout! Thankyou very much Amy!

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